You can read it in William Blake’s living dead eyes that shine like black pools, that death lies within him. A series of events leads an accountant to become caught up in a fateful lovers’ quarrel. After taking a bullet right through the heart, the tobacco-seeking indigenous Nobody offers to help the accountant be reborn as the poet William Blake. In the words of the aphorism-slinging Nobody, this stupid, white-skinned man is led through the endless cycle of life and death: deer and birds, American marshals and industrialist patriarchs, cannibalistic bounty hunters, missionaries, and fur traders. Is he the kind of poet who writes his poetry in blood?<\/p>\n
Neil Young’s lush strumming on the electric guitar, the baroque compositions of Jarmusch’s long-time cinematographer Robby M\u00fcller, the confusion of Johnny Depp’s lovable outsider when faced with the unknown, and the lumbering pace make this neo-western a hypnotic odyssey. Expressing his distaste for John Ford’s white-centric westerns and their ideology based on the subjugation of nature and Indigenous Peoples, Jarmusch revises the iconography of the Wild West in a revisionist way, making Depp’s protagonist the perfect anti-hero and playing with the poetry and life story of the poet Blake (1757\u20131827). 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