Ida is in her twenties and comes from a well-off family. One day she goes missing without a trace. Her lover, Sander, volunteers to be locked in an apartment so that Ida’s father and brother can question him. The fun-loving unemployed man\u2019s intentions are inscrutable \u2013 he lives in pleasant memories about his and Ida\u2019s romantic fatalism of the “us against the whole world” variety. In a tirade of questions and answers, Sander does not reveal the whole truth, becoming an unreliable narrator. But does he even have the answers? Or is Ida\u2019s disappearance just “his story”?<\/p>\n
Nominated for awards at film festivals in Rotterdam, Gothenburg, Las Palmas and elsewhere, Danish director Martin Skovbjerg\u2019s film is a minefield of fragmented memories. It centres on the paradoxes of storytelling as it deals with the disappearance of Ida (played by Angela Bundalovic from Nicolas Winding Refn\u2019s Copenhagen Cowboy<\/i>, 2022). Working with Oscar-nominated Norwegian screenwriter Eskil Vogt (co-screenwriter of The Worst Person in the World<\/i>, 2021, and with a long-standing collaboration with its director Joachim Trier), the film is structured in a branching, misleading, elliptical way. 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