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The gates of ages open up \u2013 a meditative essay on travel and time is conjured right before our eyes. Standing in silence and among tourists, the ancient totems, statues, and royal thrones regain their voice after more than a century \u2013 each has its own personal stories, memories, longings as they realise they&#8217;re returning home. As poetry intertwines with politics, Beninese students have a heated debate on retrieving history \u2013 can injustices be overcome this way?<\/p>\n<p>This documentary, Golden Bear winner at Berlinale, is a historic event \u2013 capturing the Beninese collective catharsis. Diop, the most distinguished and daring filmmaker of Senegalese and French descent continues exploring post-colonialism \u2013 something she started in her hybrid film <i>Atlantics<\/i> (2019), awarded Cam\u00e9ra d&#8217;Or at Cannes. The idea to create this atmospheric road movie was conceived shortly after France made the decision in 2021 to return a &#8220;handful of culture,&#8221; which Diop felt was a slap in the face: why not return everything? This piece challenges the &#8220;monopoly of European museums&#8221; and raises broader questions not only about the colonial past within the African continent but also about the restitution of art and cultural artefacts in current times. 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