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When the police start closing in on him, Mooney has no choice but to distance himself from the heist. A little shy, antisocial, clumsy like an Allen character \u2013 and clearly in over his head \u2013 he tries to cover up the crime and goes on the run.<\/p>\n<p>The American classic Reichardt dismantles the most cigarette-stained and muscular genres \u2013 and the world looks on in admiration. Now it\u2019s time for crime drama and <i>Ocean\u2019s Eleven<\/i> \u2013 theft has never looked as unprepared as in this Cannes main competition entry, where it is as casual as popping down to the corner shop. British star Josh O\u2019Connor, Alana Haim of Haim the band, and other actors meet up in 1970s Massachusetts to rewrite the genre. If with <i>First Cow<\/i> (2019) Reichardt transformed the most American genre \u2013 the Western \u2013 into a tale of nicking milk, then with the indie film emblem <i>Wendy and Lucy<\/i> (2008) she experimented with a woman-and-dog hero\u2019s journey. 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