{"id":19072,"date":"2020-12-03T19:42:50","date_gmt":"2020-12-03T17:42:50","guid":{"rendered":"https:\/\/rigaiff.lv\/?page_id=19072"},"modified":"2021-11-23T12:39:24","modified_gmt":"2021-11-23T10:39:24","slug":"video-arhivs","status":"publish","type":"page","link":"https:\/\/rigaiff.lv\/en\/previously","title":{"rendered":"Previously"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":23643,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"video-archive.php","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-19072","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":{"description":"

Here you can immerse yourself in our brief but rich history.\u00a0Additionally, video recordings of the most engaging public events, discussions, lectures and interviews have been compiled here.<\/p>\n","year":[{"acf_fc_layout":"years","year_#":"2021","legacy_text":"

The 8th edition of the Riga International Film Festival (RIGA IFF) opened on 14 October, with the Latvian premiere of The Rossellinis<\/i>! <\/a>With more than 100 films screening in 10 thematic sections, including several competitions, this festival edition not only took place at the Splendid Palace cinema, the \u201chome\u201d of RIGA IFF, and at the National Library of Latvia, but also in Madona, Valmiermui\u017ea and online throughout Latvia.\u00a0<\/p>\n

The 2021 edition slogan, \u201cThere is always time\u201d, is a reflection of the festival creators\u2019 own ideas and contemplations, as well as of the way that the format of cinema plays with time, a concept that simultaneously anchors reality and is its seemingly most undefinable feature.<\/p>\n

This page is being updated to feature all the recordings that took place during the festival. These videos are directly available on our Youtube channel<\/a>.<\/strong><\/p>\n","section":[{"title":"Conversations","card":[{"type":"internal","title":"","sub-title":"","url":"","image":{"ID":23963,"id":23963,"title":"RIGA-IFF-2021-\u2013-Fabian-Landscape-Clean","filename":"RIGA-IFF-2021-\u2013-Fabian-Landscape-Clean.jpg","filesize":1328421,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/11\/RIGA-IFF-2021-\u2013-Fabian-Landscape-Clean.jpg","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/11\/RIGA-IFF-2021-\u2013-Fabian-Landscape-Clean.jpg","alt":"","author":"2","description":"","caption":"","name":"riga-iff-2021-fabian-landscape-clean","status":"inherit","uploaded_to":19072,"date":"2021-11-08 08:33:47","modified":"2021-11-08 08:36:09","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/rigaiff.lv\/wp-includes\/images\/media\/default.png","width":1921,"height":1081,"sizes":{"thumbnail":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/11\/RIGA-IFF-2021-\u2013-Fabian-Landscape-Clean-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/11\/RIGA-IFF-2021-\u2013-Fabian-Landscape-Clean-250x141.jpg","medium-width":250,"medium-height":141,"medium_large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/11\/RIGA-IFF-2021-\u2013-Fabian-Landscape-Clean-768x432.jpg","medium_large-width":768,"medium_large-height":432,"large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/11\/RIGA-IFF-2021-\u2013-Fabian-Landscape-Clean-1500x844.jpg","large-width":900,"large-height":506,"1536x1536":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/11\/RIGA-IFF-2021-\u2013-Fabian-Landscape-Clean-1536x864.jpg","1536x1536-width":1536,"1536x1536-height":864,"2048x2048":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/11\/RIGA-IFF-2021-\u2013-Fabian-Landscape-Clean.jpg","2048x2048-width":1921,"2048x2048-height":1081,"large1200":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/11\/RIGA-IFF-2021-\u2013-Fabian-Landscape-Clean-1200x675.jpg","large1200-width":1200,"large1200-height":675,"large1800":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/11\/RIGA-IFF-2021-\u2013-Fabian-Landscape-Clean-1800x1013.jpg","large1800-width":1800,"large1800-height":1013,"small":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/11\/RIGA-IFF-2021-\u2013-Fabian-Landscape-Clean-120x68.jpg","small-width":120,"small-height":68,"uncompressed":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/11\/RIGA-IFF-2021-\u2013-Fabian-Landscape-Clean.jpg","uncompressed-width":1921,"uncompressed-height":1081,"custom-size":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/11\/RIGA-IFF-2021-\u2013-Fabian-Landscape-Clean-700x200.jpg","custom-size-width":700,"custom-size-height":200}},"post":{"ID":19910,"post_author":"18","post_date":"2021-05-14 17:44:44","post_date_gmt":"2021-05-14 14:44:44","post_content":"","post_title":"Fabian - Going to the Dogs","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"fabians-jeb-gajiens-pie-suniem","to_ping":"","pinged":"","post_modified":"2024-03-12 08:26:00","post_modified_gmt":"2024-03-12 06:26:00","post_content_filtered":"","post_parent":0,"guid":"https:\/\/rigaiff.lv\/?post_type=film2021&p=19910","menu_order":0,"post_type":"film2021","post_mime_type":"","comment_count":"0","filter":"raw","post_title_ml":"[:en]Fabian - Going to the Dogs[:lv]Fabians jeb g\u0101jiens pie su\u0146iem[:]","post_title_langs":{"en":true,"lv":true},"acf":{"time":"","additional_content":"","film_parent_s":false,"jury_statement":false,"curators_foreword":"","film_info":{"original_title":"Fabian oder Der Gang vor die Hunde","director":"Dominik Graf","country":[{"value":"DE","label":"Germany (DE)"}],"year":"2021","festival_year":"2021","runtime":"176","languages":[{"value":"de","label":"German (de)"}],"subtitles_language":[]},"description":"

It is 1931 in Berlin. The city seethes with a sense of freedom bordering on decadence. The story unfolds between modest lodgings, artist’s studios acting as brothels, Nazi demonstrations, and an exhilarating nightlife. We see this world through the eyes of charming protagonist Jacob Fabian, one of the last remaining moralists in the city. Fabian earns an honest living as a copywriter at a cigarette company by day and indulges in petty hedonism with his friend Stephan Labude at night. Stephan\u2019s idealism and its gradual disillusion serves as a tragic allegory of the time. One fateful night, Fabian falls for Cornelia, a hopeful actress, and their sincere love anchors the story amidst the political frenzy building up all around.<\/p>\n

The film is based on Erich K\u00e4stner’s autobiographical, subtly moralising novel from 1931, which was one of many books burned under the Nazi regime. Just like the novel, director Dominic Graf captures the zeitgeist and throws us into the collective consciousness of the Weimar Republic. With an unpredictable and dizzying mix of filming techniques, even including archival footage, Graf shows how the decadence and erotic naturalism of the city gradually alienates and repels the petit bourgeois Fabian, his ideas and, ultimately, also his humanity.<\/p>\n","trailer_url":"https:\/\/youtu.be\/FN0Q5522KPk","images":[{"ID":19915,"id":19915,"title":"Fabian_going_to_the_dogs","filename":"FABIAN_\u00a9Lupa-Film_Hanno-Lentz_7-scaled.jpg","filesize":326636,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/05\/FABIAN_\u00a9Lupa-Film_Hanno-Lentz_7-scaled.jpg","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/05\/FABIAN_\u00a9Lupa-Film_Hanno-Lentz_7-scaled.jpg","alt":"Fabian - Going to the dogs by Dominik Graf","author":"18","description":"","caption":"","name":"fabian_lupa-film_hanno-lentz_7","status":"inherit","uploaded_to":19910,"date":"2021-05-14 14:37:46","modified":"2021-11-03 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Valdimar J\u00f3hannsson\u2019s first feature film weaves together Scandinavian folklore, genre and the restraint of contemporary social cinema. Swedish actress Noomi Rapace (Lisbeth Salander from the Millennium<\/i> series) and one of Iceland’s best-known actors, Hilmir Snaer Gudnason, inhabit this mythical yet realistic world. Co-writer novelist Sj\u00f3n\u2019s influence can be felt as he has added touches of his characteristically ironic wryness to the script – the way the two quiet hermits interact with nature is more powerful than anything else. Among other accomplishments, Sj\u00f3n wrote the lyrics for Lars von Trier’s Oscar-nominated film Dancer in the Dark<\/i> (2000).<\/p>\n","trailer_url":"https:\/\/youtu.be\/sL3RVWo3isA","images":[{"ID":21347,"id":21347,"title":"LAMB \u2013 Still 2","filename":"IMGL1134_GD-scaled.jpg","filesize":615382,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/08\/IMGL1134_GD-scaled.jpg","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/08\/IMGL1134_GD-scaled.jpg","alt":"","author":"2","description":"","caption":"","name":"imgl1134_gd","status":"inherit","uploaded_to":19953,"date":"2021-08-30 15:14:48","modified":"2021-10-25 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Why live in organised simplicity when you can create your own paradise? Modernist couple Alvar (1898-1976) and Aino (1894-1949) Aalto introduced innovative standards of spatial functionalism to post-war European architecture and design. The couple reverentially placed the human being at the centre of each project, whether it was the Paimio Sanatorium in Finland, the Vyborg Library in Russia, the Baker House student dormitory at the Massachusetts Institute of Technology, The Finnish Pavilion at the Venice Biennale or their company Artek. They laid the foundations for what we today refer to as Scandinavian design. Two idealists, spouses and colleagues \u2013 the project that was Alvar and Aino’s personal relationship slowly materialises between the lines of their intimate correspondence.<\/p>\n

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Hans is a prisoner of paragraph 175. He is convicted under the sodomy article after months in a concentration camp, and regularly finds himself in prison in the years following the war. As he repeatedly loses his freedom, the only relationship he develops is with another prisoner, Viktor, who has been convicted of murder. Life within the damp labyrinthine walls becomes the only existence he understands \u2013 punishment, the bodies of gracious strangers, homophobia, solitary confinement, Christian teachings, curfews and tailoring. This stretch of time has a chokehold on Hans’ freedom.\u00a0<\/p>\n

\u00a0This specific paragraph of German criminal law criminalised sexual acts between men up until 1994 and ruined thousands of lives. The title of Sebastian Meises’s second feature film unsentimentally refers to \u201cGro\u00dfe Freiheit\u201d, a cross street in Hamburg’s red-light district. Hans, played by Franz Rogowski, only briefly finds himself there. The film, which won the Jury Prize at the Cannes Film Festival\u2019s Un Certain Regard section, is like a diary depicting a lonely maze-like life from which several pages have been torn out. 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12:31:37","post_date_gmt":"2021-07-29 09:31:37","post_content":"","post_title":"My Dad Is 100 Years Old","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"mans-simtgadigais-tevs","to_ping":"","pinged":"","post_modified":"2021-10-21 23:08:52","post_modified_gmt":"2021-10-21 20:08:52","post_content_filtered":"","post_parent":0,"guid":"https:\/\/rigaiff.lv\/?post_type=film2021&p=20820","menu_order":0,"post_type":"film2021","post_mime_type":"","comment_count":"0","filter":"raw","post_title_ml":"[:en]My Dad Is 100 Years Old[:lv]Mans simtgad\u012bgais t\u0113vs[:]","post_title_langs":{"en":true,"lv":true},"acf":{"time":"","additional_content":"","film_parent_s":[22293,22297],"jury_statement":false,"screenings_2021":false,"custom_supporter_title":"","supporter":false,"curators_foreword":"","film_info":{"original_title":"My Dad Is 100 Years Old","director":"Guy Maddin","country":[{"value":"CA","label":"Canada 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He is old. And Hitchcock questions why he hasn’t become a priest if he is such an advocate of social purism and Moral art? But the man curses: Hitch, despite his innate Catholicism, should have become a magician. What\u2019s more, old Roberto doesn\u2019t think that cinema is Entertainment. Sometimes he looks like a big belly. He also had a son, Federico, who he thinks strayed into another bloodline. Chaplin comes in too, and finds a middle ground between Morality and Entertainment, Art and Industry.<\/p>\n

This is a theatre of silhouettes, a distillation of stylised silent film controlled by Winnipeg-born Guy Maddin and brought to life by actress Isabella Rossellini. It is a tribute to the centenary of her father, neorealist director Roberto Rossellini. Maddin and Isabella Rossellini have collaborated several times and in various formats over the last 20 years, both as co-directors and as director and actress. Their perhaps best-known film is The Saddest Music in the World<\/i> (2003), in which Rossellini plays a wealthy woman with beer-filled glasses. At the same time, the film is a digression in cinema history, a feat of supernaturally lively imagination that confronts Rossellini’s many facets and faces: his daughter Isabella fearlessly embodies both her father as well as Cinema itself and a lost era. During one of her father’s long absences, the daughter says, “As a little child, I thought he was God. 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Politician Parl eats supper with his family a day before the coup that will result in his exile. During the night, his wife Ploy is visited by the same dream that she had the last time she saw her father. 40 years previously, her father disappeared as the repressions began, and Ploy, then just a young girl, slipped into a coma. The family has suffered through many sleepless days and nights over the years; from the bloody crackdown on the 1976 student uprising to the 2006 military coup in Thailand. A shadow flits across the sun: does this mean that everyone will be awakened?\u00a0<\/p>\n

The meditative impact that the black-and-white images conceived of by experimental Thai director and multimedia artist Sakpisit have on the audience can be likened to a slow heartbeat. Something easy to accept as one\u2019s own. The Edge of Daybreak<\/i> is a fragmented ornament of a family\u2019s history and won the FIPRESCI award in Rotterdam. Just like the director\u2019s other works, this film is also characterised by the state\u2019s violent intrusion into individuals\u2019 personal relationships and consciousness. The political turbulence in Thailand has left the protagonists with a sense of guilt and a heritage of violence words cannot describe. Like compositions made up of intertwining shadows, they exist in liminal states: forced wakefulness, paralysis, lethargic sleep, or as restless ghosts expelled from the flesh \u2013 it\u2019s all the same. 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Tadzio\u2019s accursedly beautiful face evokes the sublime grace of ancient Greek sculptures, writes Thomas Mann. In 1970, in preparation for the screen adaptation of \u201cDeath in Venice\u201d, director Luchino Visconti travelled to several European countries in search of this “face”. He found the transcendent beauty he was looking for in a boy with eyes the colour of the grey waters of the canals in Venice, at a casting in Sweden. The shy Bj\u00f6rn Andr\u00e9sen was 15 years old at the time. At the film’s premiere in London in 1971, Visconti calls Bj\u00f6rn the most beautiful boy in the world, idolising him in the same way that the film’s protagonist, Gustav von Aschenbach does Tadzio. Half a century after the film was made, the greying Bj\u00f6rn still lives in Stockholm and carries a few film roles, depression and the burden of trauma with him.<\/p>\n

This cinematic portrait by Swedish documentary directors and and journalists Kristina Lindstr\u00f6m and Kristian Petri is a melancholic close-up of the trauma that can come with fame, of exploitation and self-acceptance. It can be seen as a symphony of a betrayed childhood as the grey-haired boy searches for his parents. The teenaged Bj\u00f6rn Andr\u00e9sen, with his innocently boyish looks and blonde curls, was instantly desired, became a queer icon, got his own anime comic and global recognition. However, when Bj\u00f6rn grew older, Visconti, an aristocrat who didn\u2019t hide his homosexuality, spurned his one-time favourite at a press conference during the Cannes Film Festival. 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Nina and Jan own an advertising agency. They are middle-class and have two children and a rat, Zorro. When the family arrives at Nina’s family home on the Belgian seaside, they are met by the stale air of the living room. When they open a window to air it out the silent, unheard, and unseen is destined to start revealing itself. It all begins with a break-in. Was it the local youths who post provocative videos on social media? Or perhaps an attempt by people who oppose a right-wing politician, who is Nina and Mark’s client, to intimidate the couple? And did the break-in, which acts as a catalyst for the family’s disconnection, happen the way they think it did?<\/p>\n

It can quite rightly be said that Italian-born director and screenwriter Ronny Trocker’s second feature inhabits the same space of non-linear storytelling in the way it explores family estrangement as Michael Haneke. Having screened at both Sundance and the Berlin Film Festival, the film demands that its viewers pay attention as it untangles this Hamburg family’s fears, phobias, affectations, and desires. Being almost a thriller, the way the film\u2019s points of view branch off and the elliptical arcs the narrative makes creates the Rashomon effect, adding an air of uncertainty about the veracity of what we see. The lead characters are played by the most prominent actors in European cinema \u2013 Mark Waschke from Germany, and Sabine Timoteo from Switzerland (The Chronicles of Melanie<\/i>, 2016).<\/p>\n

A conversation with the director Ronny Trocker and actress Sabine Timoteo: video<\/a><\/p>\n","trailer_url":"https:\/\/youtu.be\/_m2NDnqvun4","images":[{"ID":20812,"id":20812,"title":"humanfactors1","filename":"humanfactors1.png","filesize":6664623,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/07\/humanfactors1.png","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/07\/humanfactors1.png","alt":"","author":"18","description":"","caption":"","name":"humanfactors1","status":"inherit","uploaded_to":20602,"date":"2021-07-16 07:00:30","modified":"2021-07-16 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Lyoshka is a boy from the middle of nowhere, who would never have thought he would fall in love with a beautiful girl “from the internet”. But she is neither from his village nor even from the Chukotka region! “All the girls there speak American,” his friend notes. The days, the whale hunt, and idle village life pass by, but the death of his grandfather in the tundra never comes any nearer. Shaking off the stories of his neighbours’ efforts to cross the Bering Strait on their way to Alaska, Lyoshka is determined to meet his bride, HollySweet999, and start a new life. There’s only one way, and it leads to \u0414\u0435\u0442\u0440\u043e\u0439\u0442!<\/p>\n

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In this remote Russian district, the fishing and tea season never ends. Fishseller Polina suffers from insomnia after the loss of her brother. A beshawled old woman she meets gives her a packet of tea. As Polina scales fish and longs to dream, she drinks the bittersweet concoction and suddenly finds herself in a ministry full of wig powder and the Tsar\u2019s daughters. On her way to a transformation to look just like the immaculately graceful Vasilisa the Beautiful from the fairy tale, the girl is immersed into lessons in decorum, tarkhun toasts and the labyrinths of Russian women\u2019s self-confidence.<\/p>\n

Director Uldus Bakhtiozina is a photographer and costume designer who has studied political science and graphic design; Tzarevna Scaling<\/i> is her first feature film. The film can be understood in two ways: as a fairy tale with modernised folk elements dedicated to her father, and as an analysis of Russian female archetypes set in post-Soviet interiors and untamed natural exteriors. Displaying a masterful understanding of the history of Russian fashion, Bakhtiozina has used her eclectic style to cobble together an absurd mix of empiric salmon scales, Tatar baroque and village glamour to give contemporary viewers a screening that has a single-minded drive to embody one specific genre \u2013 the fairy tale.<\/p>\n","trailer_url":"https:\/\/youtu.be\/ALfARWrjlhY","images":[{"ID":20950,"id":20950,"title":"Tzarevna_Scaling_Still 1","filename":"33-scaled.jpg","filesize":666240,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/07\/33-scaled.jpg","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/07\/33-scaled.jpg","alt":"","author":"18","description":"","caption":"","name":"33","status":"inherit","uploaded_to":20947,"date":"2021-07-22 06:39:32","modified":"2021-09-30 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13:26:26","post_date_gmt":"2021-05-14 10:26:26","post_content":"","post_title":"Bebia, \u00e0 mon seul d\u00e9sir","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"bebija-mana-vieniga","to_ping":"","pinged":"","post_modified":"2022-02-16 15:24:18","post_modified_gmt":"2022-02-16 13:24:18","post_content_filtered":"","post_parent":0,"guid":"https:\/\/rigaiff.lv\/?post_type=film2021&p=19827","menu_order":0,"post_type":"film2021","post_mime_type":"","comment_count":"0","filter":"raw","post_title_ml":"[:en]Bebia, \u00e0 mon seul d\u00e9sir[:lv]Bebija, mana vien\u012bg\u0101[:]","post_title_langs":{"en":true,"lv":true},"acf":{"time":"","additional_content":"","film_parent_s":false,"jury_statement":false,"curators_foreword":"","film_info":{"original_title":"Bebia, \u00e0 mon seul d\u00e9sir","director":"Juja Dobrachkous","country":[{"value":"GE","label":"Georgia (GE)"},{"value":"GB","label":"United Kingdom (GB)"}],"year":"2021","festival_year":"2021","runtime":"131","languages":[{"value":"ka","label":"Georgian (ka)"},{"value":"ru","label":"Russian (ru)"}],"subtitles_language":[]},"description":"

Ariadna returns to her home in Georgia. She has lost her grandmother Medea, whom she calls Bebia, while on a modelling trip to London. To honour an ancient burial custom, she must traverse the picturesque Georgian countryside after the funeral together with enigmatic Temo in order to reconnect her grandmother’s soul with her body. Traveling through this distant and at times exhausting land of echoes, Ariadne is forced to confront Bebia\u2019s complex and sometimes cruel influence on her not-so-distant childhood.<\/p>\n

\u201cBebia\u201d means grandmother in Georgian, and Soviet-born director Juja Dobrachkous\u2019 relationship with her own grandmother served as the inspiration for this elegiac black-and-white drama. Embracing symbols and elements of Greek mythology, Dobrachkous, who is a recognised contemporary painter and a writer, has chosen to use herself as the base for her debut film. The film is saturated with textures and lights from the past, with teasingly heartfelt, intimate and archetypal characters and grown-up chatter overheard long ago.<\/p>\n","trailer_url":"https:\/\/youtu.be\/5YYGqQKgFpA","images":[{"ID":19832,"id":19832,"title":"Ariadna_with_Thread_Bebia_\u00e0_mon_seul","filename":"4.Ariadna-with-Thread-e1620987561163.png","filesize":1533379,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/05\/4.Ariadna-with-Thread-e1620987561163.png","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/05\/4.Ariadna-with-Thread-e1620987561163.png","alt":"Ariadna with Thread in a film Bebia, \u00e0 mon seul d\u00e9sir by Juja Dobrachkous","author":"18","description":"","caption":"","name":"4-ariadna-with-thread","status":"inherit","uploaded_to":19827,"date":"2021-05-14 10:14:00","modified":"2021-07-02 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It is 1928, but it could just as well be today. Or yesterday. Young people on the Baltic Sea coast debate the eighth chapter from Marx and Engels\u2019 Das Kapital<\/i>. Hold on, there is a question about the fifth paragraph and the concept of the workday and exploitation! What now? It says that capitalists are vampires who feed on the blood of workers! Lyovoshka, one of Sergei Eisenstein’s actors and a factory worker, arrives from Russia onto the same shore posing as Baron Koberski. He is soon unmasked by Octavia, the daughter of an industrialist, but the socio-economic ties between the two of them strengthen. This leads to the two of them making a vampire film with Lyovoshka acting out his dream of Hollywood, and Octavia playing the vampire’s victim. Just a moment. Remind me who the vampire in this film is again?<\/p>\n

The links between the late 1920s and the present day are not a coincidence. The heretically misplaced can of Coke, hipster outfits and modern gadgets are good-naturedly trying to disorient the viewer in this comedy of virtues. It is only natural, after his debut feature Self-Criticism of a Bourgeois Dog<\/i> (2017), for German director Julian Radlmaier to continue working with the alternative history of Soviet montage theory, with the sense of \u201chaving read about a workers’ revolution somewhere”, with stylised silent film slapstick and pre-Nazi elite badminton matches. The film was entered into the Encounters section at the Berlinale this year, and has in just a few months become a beacon of satire, leaving viewers with a revolutionary smile on their faces.<\/p>\n","trailer_url":"https:\/\/youtu.be\/XqKMmvxEtHw","images":[{"ID":21539,"id":21539,"title":"lilith-stangenberg-alexander-herbst_KEY_STILL","filename":"lilith-stangenberg-alexander-herbst_KEY_STILL-scaled.jpg","filesize":631499,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/lilith-stangenberg-alexander-herbst_KEY_STILL-scaled.jpg","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/lilith-stangenberg-alexander-herbst_KEY_STILL-scaled.jpg","alt":"","author":"19","description":"","caption":"","name":"lilith-stangenberg-alexander-herbst_key_still","status":"inherit","uploaded_to":21527,"date":"2021-09-02 10:53:07","modified":"2021-09-02 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In the world of cinema, short film is the bravest and most explicit mirror of our times. To help you navigate through this wide range of short films, we\u2019ll be curating selections in which each work is like a tiny kernel of corn that, once projected onto the screen, warms up and explodes into a popcorn-like cloud of reflection, emotions, laughter or tears. No one will be left untouched, guaranteed!<\/p>","post_title":"Screening I","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"seanss-i","to_ping":"","pinged":"","post_modified":"2021-10-21 22:08:37","post_modified_gmt":"2021-10-21 19:08:37","post_content_filtered":"","post_parent":0,"guid":"https:\/\/rigaiff.lv\/?post_type=screenings_2021&p=22107","menu_order":0,"post_type":"screenings_2021","post_mime_type":"","comment_count":"0","filter":"raw","post_content_ml":"[:en]

In the world of cinema, short film is the bravest and most explicit mirror of our times. To help you navigate through this wide range of short films, we\u2019ll be curating selections in which each work is like a tiny kernel of corn that, once projected onto the screen, warms up and explodes into a popcorn-like cloud of reflection, emotions, laughter or tears. No one will be left untouched, guaranteed!<\/p>[:lv]

\u012asfilma ir skaidr\u0101kais un drosm\u012bg\u0101kais laikmeta gara spogulis kino form\u0101t\u0101. Lai pal\u012bdz\u0113tu orient\u0113ties \u012bsfilmu pla\u0161aj\u0101 kl\u0101st\u0101, kuratori veidos izlases, kur\u0101s katrs darbs ir k\u0101 mazs kukur\u016bzas graudi\u0146\u0161, kas sasilst uz ekr\u0101na un uzspr\u0101gst p\u0101rdomu, emociju, smieklu vai asaru form\u0101. Neviens nepaliks izsalcis p\u0113c piedz\u012bvojuma!<\/p>[:]","post_content_langs":{"en":true,"lv":true},"post_title_ml":"[:en]Screening I[:lv]Seanss I[:]","post_title_langs":{"en":true,"lv":true},"acf":{"horizontal_compr":{"ID":21713,"id":21713,"title":"ostatnie_s\u0301niegi_stop_3","filename":"ostatnie_s\u0301niegi_stop_3.png","filesize":6652481,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/ostatnie_s\u0301niegi_stop_3.png","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/ostatnie_s\u0301niegi_stop_3.png","alt":"","author":"19","description":"","caption":"","name":"ostatnie_sniegi_stop_3","status":"inherit","uploaded_to":21711,"date":"2021-09-08 08:38:24","modified":"2021-09-08 08:38:24","menu_order":0,"mime_type":"image\/png","type":"image","subtype":"png","icon":"https:\/\/rigaiff.lv\/wp-includes\/images\/media\/default.png","width":3582,"height":1932,"sizes":{"thumbnail":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/ostatnie_s\u0301niegi_stop_3-150x150.png","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/ostatnie_s\u0301niegi_stop_3-250x135.png","medium-width":250,"medium-height":135,"medium_large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/ostatnie_s\u0301niegi_stop_3-768x414.png","medium_large-width":768,"medium_large-height":414,"large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/ostatnie_s\u0301niegi_stop_3-1500x809.png","large-width":900,"large-height":485,"1536x1536":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/ostatnie_s\u0301niegi_stop_3-1536x828.png","1536x1536-width":1536,"1536x1536-height":828,"2048x2048":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/ostatnie_s\u0301niegi_stop_3-2048x1105.png","2048x2048-width":2048,"2048x2048-height":1105,"large1200":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/ostatnie_s\u0301niegi_stop_3-1200x647.png","large1200-width":1200,"large1200-height":647,"large1800":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/ostatnie_s\u0301niegi_stop_3-1800x971.png","large1800-width":1800,"large1800-height":971,"small":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/ostatnie_s\u0301niegi_stop_3-120x65.png","small-width":120,"small-height":65,"uncompressed":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/ostatnie_s\u0301niegi_stop_3.png","uncompressed-width":3582,"uncompressed-height":1932,"custom-size":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/ostatnie_s\u0301niegi_stop_3-700x200.png","custom-size-width":700,"custom-size-height":200}},"copyright_compr":"","horizontal_compr_lv":false,"copyright_compr_lv":"","additional_content":"","screenings_2021":[{"month":false,"date":"20","end_date":"","time":"19:30","time_end":"","venue_url_languages":[{"type":"buy","sold_out":false,"closed":false,"free":false,"soon":false,"venue":"online","url":"short-riga-international-competition-i\/9720\/53204","bilesu_servisa_id":"341676","custom_tickets_url":"","apply_url":"","subtitle_language":[],"audio_language":[]}],"event_post_title":"Previously","event_post_url":"https:\/\/rigaiff.lv\/en\/previously","event_parent_details":[]}],"films_select":[21699,21707,21711,21718],"embed_title":"","embed_text":"","embed_code":"https:\/\/youtu.be\/TCG3aXxjiFY","custom_supporter_title":"","supporter":false,"jury_title":"","jury":false,"participants_title":"","participants":false,"overlay_image":false,"overlay_image_svg_lv":false,"background_image":false,"vertical_compr":false,"vertical_compr_lv":false}}},{"type":"internal","title":"","sub-title":"","url":"","image":false,"post":{"ID":22110,"post_author":"2","post_date":"2021-09-12 16:57:43","post_date_gmt":"2021-09-12 13:57:43","post_content":"

In the world of cinema, short film is the bravest and most explicit mirror of our times. To help you navigate through this wide range of short films, we\u2019ll be curating selections in which each work is like a tiny kernel of corn that, once projected onto the screen, warms up and explodes into a popcorn-like cloud of reflection, emotions, laughter or tears. No one will be left untouched, guaranteed!<\/p>","post_title":"Screening II","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"seanss-ii","to_ping":"","pinged":"","post_modified":"2021-10-21 22:12:32","post_modified_gmt":"2021-10-21 19:12:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/rigaiff.lv\/?post_type=screenings_2021&p=22110","menu_order":0,"post_type":"screenings_2021","post_mime_type":"","comment_count":"0","filter":"raw","post_content_ml":"[:en]

In the world of cinema, short film is the bravest and most explicit mirror of our times. To help you navigate through this wide range of short films, we\u2019ll be curating selections in which each work is like a tiny kernel of corn that, once projected onto the screen, warms up and explodes into a popcorn-like cloud of reflection, emotions, laughter or tears. No one will be left untouched, guaranteed!<\/p>[:lv]

\u012asfilma ir skaidr\u0101kais un drosm\u012bg\u0101kais laikmeta gara spogulis kino form\u0101t\u0101. Lai pal\u012bdz\u0113tu orient\u0113ties \u012bsfilmu pla\u0161aj\u0101 kl\u0101st\u0101, kuratori veidos izlases, kur\u0101s katrs darbs ir k\u0101 mazs kukur\u016bzas graudi\u0146\u0161, kas sasilst uz ekr\u0101na un uzspr\u0101gst p\u0101rdomu, emociju, smieklu vai asaru form\u0101. Neviens nepaliks izsalcis p\u0113c piedz\u012bvojuma!<\/p>[:]","post_content_langs":{"en":true,"lv":true},"post_title_ml":"[:en]Screening II[:lv]Seanss II[:]","post_title_langs":{"en":true,"lv":true},"acf":{"horizontal_compr":{"ID":21737,"id":21737,"title":"VYMEZENI_STILL_4","filename":"VYMEZENI_STILL_4.png","filesize":2745529,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/VYMEZENI_STILL_4.png","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/VYMEZENI_STILL_4.png","alt":"","author":"19","description":"","caption":"","name":"vymezeni_still_4","status":"inherit","uploaded_to":21730,"date":"2021-09-08 14:52:35","modified":"2021-09-08 14:52:35","menu_order":0,"mime_type":"image\/png","type":"image","subtype":"png","icon":"https:\/\/rigaiff.lv\/wp-includes\/images\/media\/default.png","width":1729,"height":1055,"sizes":{"thumbnail":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/VYMEZENI_STILL_4-150x150.png","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/VYMEZENI_STILL_4-250x153.png","medium-width":250,"medium-height":153,"medium_large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/VYMEZENI_STILL_4-768x469.png","medium_large-width":768,"medium_large-height":469,"large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/VYMEZENI_STILL_4-1500x915.png","large-width":900,"large-height":549,"1536x1536":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/VYMEZENI_STILL_4-1536x937.png","1536x1536-width":1536,"1536x1536-height":937,"2048x2048":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/VYMEZENI_STILL_4.png","2048x2048-width":1729,"2048x2048-height":1055,"large1200":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/VYMEZENI_STILL_4-1200x732.png","large1200-width":1200,"large1200-height":732,"large1800":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/VYMEZENI_STILL_4.png","large1800-width":1729,"large1800-height":1055,"small":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/VYMEZENI_STILL_4-120x73.png","small-width":120,"small-height":73,"uncompressed":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/VYMEZENI_STILL_4.png","uncompressed-width":1729,"uncompressed-height":1055,"custom-size":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/VYMEZENI_STILL_4-700x200.png","custom-size-width":700,"custom-size-height":200}},"copyright_compr":"","horizontal_compr_lv":false,"copyright_compr_lv":"","additional_content":"","screenings_2021":[{"month":false,"date":"20","end_date":"","time":"21:00","time_end":"","venue_url_languages":[{"type":"buy","sold_out":false,"closed":false,"free":false,"soon":false,"venue":"online","url":"short-riga-international-competition-ii\/9721\/53207","bilesu_servisa_id":"341682","custom_tickets_url":"","apply_url":"","subtitle_language":[],"audio_language":[]}],"event_post_title":"Previously","event_post_url":"https:\/\/rigaiff.lv\/en\/previously","event_parent_details":[]}],"films_select":[21730,21744,21746,21755,21760],"embed_title":"","embed_text":"","embed_code":"https:\/\/youtu.be\/PG9neYciZS4","custom_supporter_title":"","supporter":false,"jury_title":"","jury":false,"participants_title":"","participants":false,"overlay_image":false,"overlay_image_svg_lv":false,"background_image":false,"vertical_compr":false,"vertical_compr_lv":false}}},{"type":"internal","title":"","sub-title":"","url":"","image":false,"post":{"ID":22112,"post_author":"2","post_date":"2021-09-12 16:07:01","post_date_gmt":"2021-09-12 13:07:01","post_content":"

In the world of cinema, short film is the bravest and most explicit mirror of our times. To help you navigate through this wide range of short films, we\u2019ll be curating selections in which each work is like a tiny kernel of corn that, once projected onto the screen, warms up and explodes into a popcorn-like cloud of reflection, emotions, laughter or tears. No one will be left untouched, guaranteed!<\/p>","post_title":"Screening III","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"seanss-iii","to_ping":"","pinged":"","post_modified":"2021-10-21 22:30:10","post_modified_gmt":"2021-10-21 19:30:10","post_content_filtered":"","post_parent":0,"guid":"https:\/\/rigaiff.lv\/?post_type=screenings_2021&p=22112","menu_order":0,"post_type":"screenings_2021","post_mime_type":"","comment_count":"0","filter":"raw","post_content_ml":"[:en]

In the world of cinema, short film is the bravest and most explicit mirror of our times. To help you navigate through this wide range of short films, we\u2019ll be curating selections in which each work is like a tiny kernel of corn that, once projected onto the screen, warms up and explodes into a popcorn-like cloud of reflection, emotions, laughter or tears. No one will be left untouched, guaranteed!<\/p>[:lv]

\u012asfilma ir skaidr\u0101kais un drosm\u012bg\u0101kais laikmeta gara spogulis kino form\u0101t\u0101. Lai pal\u012bdz\u0113tu orient\u0113ties \u012bsfilmu pla\u0161aj\u0101 kl\u0101st\u0101, kuratori veidos izlases, kur\u0101s katrs darbs ir k\u0101 mazs kukur\u016bzas graudi\u0146\u0161, kas sasilst uz ekr\u0101na un uzspr\u0101gst p\u0101rdomu, emociju, smieklu vai asaru form\u0101. Neviens nepaliks izsalcis p\u0113c piedz\u012bvojuma!<\/p>[:]","post_content_langs":{"en":true,"lv":true},"post_title_ml":"[:en]Screening III[:lv]Seanss III[:]","post_title_langs":{"en":true,"lv":true},"acf":{"horizontal_compr":{"ID":21783,"id":21783,"title":"The Moon 3","filename":"The-Moon-3.jpg","filesize":1542138,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/The-Moon-3.jpg","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/The-Moon-3.jpg","alt":"","author":"19","description":"","caption":"","name":"the-moon-3","status":"inherit","uploaded_to":21781,"date":"2021-09-09 05:49:03","modified":"2021-09-09 05:49:03","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/rigaiff.lv\/wp-includes\/images\/media\/default.png","width":1920,"height":1080,"sizes":{"thumbnail":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/The-Moon-3-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/The-Moon-3-250x141.jpg","medium-width":250,"medium-height":141,"medium_large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/The-Moon-3-768x432.jpg","medium_large-width":768,"medium_large-height":432,"large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/The-Moon-3-1500x844.jpg","large-width":900,"large-height":506,"1536x1536":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/The-Moon-3-1536x864.jpg","1536x1536-width":1536,"1536x1536-height":864,"2048x2048":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/The-Moon-3.jpg","2048x2048-width":1920,"2048x2048-height":1080,"large1200":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/The-Moon-3-1200x675.jpg","large1200-width":1200,"large1200-height":675,"large1800":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/The-Moon-3-1800x1013.jpg","large1800-width":1800,"large1800-height":1013,"small":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/The-Moon-3-120x68.jpg","small-width":120,"small-height":68,"uncompressed":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/The-Moon-3.jpg","uncompressed-width":1920,"uncompressed-height":1080,"custom-size":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/The-Moon-3-700x200.jpg","custom-size-width":700,"custom-size-height":200}},"copyright_compr":"","horizontal_compr_lv":false,"copyright_compr_lv":"","additional_content":"","screenings_2021":[{"month":false,"date":"21","end_date":"","time":"19:30","time_end":"","venue_url_languages":[{"type":"buy","sold_out":false,"closed":false,"free":false,"soon":false,"venue":"online","url":"short-riga-international-competition-iii\/9722\/53210","bilesu_servisa_id":"341699","custom_tickets_url":"","apply_url":"","subtitle_language":[],"audio_language":[]}],"event_post_title":"Previously","event_post_url":"https:\/\/rigaiff.lv\/en\/previously","event_parent_details":[]}],"films_select":[21770,21777,21781,21787,21792],"embed_title":"","embed_text":"","embed_code":"https:\/\/youtu.be\/YAgpmbKXsQI","custom_supporter_title":"","supporter":false,"jury_title":"","jury":false,"participants_title":"","participants":false,"overlay_image":false,"overlay_image_svg_lv":false,"background_image":false,"vertical_compr":false,"vertical_compr_lv":false}}},{"type":"internal","title":"","sub-title":"","url":"","image":false,"post":{"ID":22114,"post_author":"2","post_date":"2021-09-12 16:08:07","post_date_gmt":"2021-09-12 13:08:07","post_content":"

In the world of cinema, short film is the bravest and most explicit mirror of our times. To help you navigate through this wide range of short films, we\u2019ll be curating selections in which each work is like a tiny kernel of corn that, once projected onto the screen, warms up and explodes into a popcorn-like cloud of reflection, emotions, laughter or tears. No one will be left untouched, guaranteed!<\/p>","post_title":"Screening IV","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"seanss-iv","to_ping":"","pinged":"","post_modified":"2021-10-21 22:33:01","post_modified_gmt":"2021-10-21 19:33:01","post_content_filtered":"","post_parent":0,"guid":"https:\/\/rigaiff.lv\/?post_type=screenings_2021&p=22114","menu_order":0,"post_type":"screenings_2021","post_mime_type":"","comment_count":"0","filter":"raw","post_content_ml":"[:en]

In the world of cinema, short film is the bravest and most explicit mirror of our times. To help you navigate through this wide range of short films, we\u2019ll be curating selections in which each work is like a tiny kernel of corn that, once projected onto the screen, warms up and explodes into a popcorn-like cloud of reflection, emotions, laughter or tears. No one will be left untouched, guaranteed!<\/p>[:lv]

\u012asfilma ir skaidr\u0101kais un drosm\u012bg\u0101kais laikmeta gara spogulis kino form\u0101t\u0101. Lai pal\u012bdz\u0113tu orient\u0113ties \u012bsfilmu pla\u0161aj\u0101 kl\u0101st\u0101, kuratori veidos izlases, kur\u0101s katrs darbs ir k\u0101 mazs kukur\u016bzas graudi\u0146\u0161, kas sasilst uz ekr\u0101na un uzspr\u0101gst p\u0101rdomu, emociju, smieklu vai asaru form\u0101. Neviens nepaliks izsalcis p\u0113c piedz\u012bvojuma!<\/p>[:]","post_content_langs":{"en":true,"lv":true},"post_title_ml":"[:en]Screening IV[:lv]Seanss IV[:]","post_title_langs":{"en":true,"lv":true},"acf":{"horizontal_compr":{"ID":21831,"id":21831,"title":"Mostoha_Avant_Sequence 01.Still006","filename":"Mostoha_Avant_Sequence-01.Still006.jpg","filesize":262139,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Mostoha_Avant_Sequence-01.Still006.jpg","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Mostoha_Avant_Sequence-01.Still006.jpg","alt":"","author":"19","description":"","caption":"","name":"mostoha_avant_sequence-01-still006","status":"inherit","uploaded_to":21829,"date":"2021-09-10 05:46:23","modified":"2021-09-10 05:46:23","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/rigaiff.lv\/wp-includes\/images\/media\/default.png","width":960,"height":720,"sizes":{"thumbnail":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Mostoha_Avant_Sequence-01.Still006-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Mostoha_Avant_Sequence-01.Still006-250x188.jpg","medium-width":250,"medium-height":188,"medium_large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Mostoha_Avant_Sequence-01.Still006-768x576.jpg","medium_large-width":768,"medium_large-height":576,"large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Mostoha_Avant_Sequence-01.Still006.jpg","large-width":900,"large-height":675,"1536x1536":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Mostoha_Avant_Sequence-01.Still006.jpg","1536x1536-width":960,"1536x1536-height":720,"2048x2048":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Mostoha_Avant_Sequence-01.Still006.jpg","2048x2048-width":960,"2048x2048-height":720,"large1200":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Mostoha_Avant_Sequence-01.Still006.jpg","large1200-width":960,"large1200-height":720,"large1800":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Mostoha_Avant_Sequence-01.Still006.jpg","large1800-width":960,"large1800-height":720,"small":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Mostoha_Avant_Sequence-01.Still006-120x90.jpg","small-width":120,"small-height":90,"uncompressed":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Mostoha_Avant_Sequence-01.Still006.jpg","uncompressed-width":960,"uncompressed-height":720,"custom-size":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Mostoha_Avant_Sequence-01.Still006-700x200.jpg","custom-size-width":700,"custom-size-height":200}},"copyright_compr":"","horizontal_compr_lv":false,"copyright_compr_lv":"","additional_content":"","screenings_2021":[{"month":false,"date":"21","end_date":"","time":"21:00","time_end":"","venue_url_languages":[{"type":"buy","sold_out":false,"closed":false,"free":false,"soon":false,"venue":"online","url":"short-riga-international-competition-iv\/9723\/53213","bilesu_servisa_id":"341714","custom_tickets_url":"","apply_url":"","subtitle_language":[],"audio_language":[]}],"event_post_title":"Previously","event_post_url":"https:\/\/rigaiff.lv\/en\/previously","event_parent_details":[]}],"films_select":[21829,21834,21839,21846],"embed_title":"","embed_text":"","embed_code":"https:\/\/youtu.be\/9dg8dwXMSt0","custom_supporter_title":"","supporter":false,"jury_title":"","jury":false,"participants_title":"","participants":false,"overlay_image":false,"overlay_image_svg_lv":false,"background_image":false,"vertical_compr":false,"vertical_compr_lv":false}}},{"type":"internal","title":"","sub-title":"","url":"","image":false,"post":{"ID":22117,"post_author":"2","post_date":"2021-09-12 17:04:23","post_date_gmt":"2021-09-12 14:04:23","post_content":"

In the world of cinema, short film is the bravest and most explicit mirror of our times. To help you navigate through this wide range of short films, we\u2019ll be curating selections in which each work is like a tiny kernel of corn that, once projected onto the screen, warms up and explodes into a popcorn-like cloud of reflection, emotions, laughter or tears. No one will be left untouched, guaranteed!<\/p>","post_title":"Screening V","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"seanss-v","to_ping":"","pinged":"","post_modified":"2021-10-21 22:47:19","post_modified_gmt":"2021-10-21 19:47:19","post_content_filtered":"","post_parent":0,"guid":"https:\/\/rigaiff.lv\/?post_type=screenings_2021&p=22117","menu_order":0,"post_type":"screenings_2021","post_mime_type":"","comment_count":"0","filter":"raw","post_content_ml":"[:en]

In the world of cinema, short film is the bravest and most explicit mirror of our times. To help you navigate through this wide range of short films, we\u2019ll be curating selections in which each work is like a tiny kernel of corn that, once projected onto the screen, warms up and explodes into a popcorn-like cloud of reflection, emotions, laughter or tears. No one will be left untouched, guaranteed!<\/p>[:lv]

\u012asfilma ir skaidr\u0101kais un drosm\u012bg\u0101kais laikmeta gara spogulis kino form\u0101t\u0101. Lai pal\u012bdz\u0113tu orient\u0113ties \u012bsfilmu pla\u0161aj\u0101 kl\u0101st\u0101, kuratori veidos izlases, kur\u0101s katrs darbs ir k\u0101 mazs kukur\u016bzas graudi\u0146\u0161, kas sasilst uz ekr\u0101na un uzspr\u0101gst p\u0101rdomu, emociju, smieklu vai asaru form\u0101. Neviens nepaliks izsalcis p\u0113c piedz\u012bvojuma!<\/p>[:]","post_content_langs":{"en":true,"lv":true},"post_title_ml":"[:en]Screening V[:lv]Seanss V[:]","post_title_langs":{"en":true,"lv":true},"acf":{"horizontal_compr":{"ID":21935,"id":21935,"title":"Ya no duermo_4","filename":"Ya-no-duermo_4.jpg","filesize":2755473,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Ya-no-duermo_4.jpg","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Ya-no-duermo_4.jpg","alt":"","author":"18","description":"","caption":"","name":"ya-no-duermo_4","status":"inherit","uploaded_to":21931,"date":"2021-09-10 16:50:23","modified":"2021-09-10 16:50:23","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/rigaiff.lv\/wp-includes\/images\/media\/default.png","width":2480,"height":1395,"sizes":{"thumbnail":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Ya-no-duermo_4-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Ya-no-duermo_4-250x141.jpg","medium-width":250,"medium-height":141,"medium_large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Ya-no-duermo_4-768x432.jpg","medium_large-width":768,"medium_large-height":432,"large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Ya-no-duermo_4-1500x844.jpg","large-width":900,"large-height":506,"1536x1536":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Ya-no-duermo_4-1536x864.jpg","1536x1536-width":1536,"1536x1536-height":864,"2048x2048":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Ya-no-duermo_4-2048x1152.jpg","2048x2048-width":2048,"2048x2048-height":1152,"large1200":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Ya-no-duermo_4-1200x675.jpg","large1200-width":1200,"large1200-height":675,"large1800":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Ya-no-duermo_4-1800x1013.jpg","large1800-width":1800,"large1800-height":1013,"small":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Ya-no-duermo_4-120x68.jpg","small-width":120,"small-height":68,"uncompressed":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Ya-no-duermo_4.jpg","uncompressed-width":2480,"uncompressed-height":1395,"custom-size":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Ya-no-duermo_4-700x200.jpg","custom-size-width":700,"custom-size-height":200}},"copyright_compr":"","horizontal_compr_lv":false,"copyright_compr_lv":"","additional_content":"","screenings_2021":[{"month":false,"date":"22","end_date":"","time":"19:30","time_end":"","venue_url_languages":[{"type":"buy","sold_out":false,"closed":false,"free":false,"soon":false,"venue":"online","url":"short-riga-international-competition-v\/9724\/53216","bilesu_servisa_id":"341717","custom_tickets_url":"","apply_url":"","subtitle_language":[],"audio_language":[]}],"event_post_title":"Previously","event_post_url":"https:\/\/rigaiff.lv\/en\/previously","event_parent_details":[]}],"films_select":[21917,21922,21925,21931],"embed_title":"","embed_text":"","embed_code":"https:\/\/youtu.be\/zi69hKzVu1s","custom_supporter_title":"","supporter":false,"jury_title":"","jury":false,"participants_title":"","participants":false,"overlay_image":false,"overlay_image_svg_lv":false,"background_image":false,"vertical_compr":false,"vertical_compr_lv":false}}},{"type":"internal","title":"","sub-title":"","url":"","image":false,"post":{"ID":22120,"post_author":"2","post_date":"2021-09-12 17:07:14","post_date_gmt":"2021-09-12 14:07:14","post_content":"

In the world of cinema, short film is the bravest and most explicit mirror of our times. To help you navigate through this wide range of short films, we\u2019ll be curating selections in which each work is like a tiny kernel of corn that, once projected onto the screen, warms up and explodes into a popcorn-like cloud of reflection, emotions, laughter or tears. No one will be left untouched, guaranteed!<\/p>","post_title":"Screening VI","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"seanss-vi","to_ping":"","pinged":"","post_modified":"2021-10-21 22:52:52","post_modified_gmt":"2021-10-21 19:52:52","post_content_filtered":"","post_parent":0,"guid":"https:\/\/rigaiff.lv\/?post_type=screenings_2021&p=22120","menu_order":0,"post_type":"screenings_2021","post_mime_type":"","comment_count":"0","filter":"raw","post_content_ml":"[:en]

In the world of cinema, short film is the bravest and most explicit mirror of our times. To help you navigate through this wide range of short films, we\u2019ll be curating selections in which each work is like a tiny kernel of corn that, once projected onto the screen, warms up and explodes into a popcorn-like cloud of reflection, emotions, laughter or tears. No one will be left untouched, guaranteed!<\/p>[:lv]

\u012asfilma ir skaidr\u0101kais un drosm\u012bg\u0101kais laikmeta gara spogulis kino form\u0101t\u0101. Lai pal\u012bdz\u0113tu orient\u0113ties \u012bsfilmu pla\u0161aj\u0101 kl\u0101st\u0101, kuratori veidos izlases, kur\u0101s katrs darbs ir k\u0101 mazs kukur\u016bzas graudi\u0146\u0161, kas sasilst uz ekr\u0101na un uzspr\u0101gst p\u0101rdomu, emociju, smieklu vai asaru form\u0101. Neviens nepaliks izsalcis p\u0113c piedz\u012bvojuma!<\/p>[:]","post_content_langs":{"en":true,"lv":true},"post_title_ml":"[:en]Screening VI[:lv]Seanss VI[:]","post_title_langs":{"en":true,"lv":true},"acf":{"horizontal_compr":{"ID":21955,"id":21955,"title":"Selected Milk -still 4 - 300pp","filename":"Selected-Milk-still-4-300pp-scaled.jpg","filesize":883332,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Selected-Milk-still-4-300pp-scaled.jpg","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Selected-Milk-still-4-300pp-scaled.jpg","alt":"","author":"18","description":"","caption":"","name":"selected-milk-still-4-300pp","status":"inherit","uploaded_to":21952,"date":"2021-09-10 17:13:21","modified":"2021-09-10 17:13:21","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/rigaiff.lv\/wp-includes\/images\/media\/default.png","width":2560,"height":1440,"sizes":{"thumbnail":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Selected-Milk-still-4-300pp-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Selected-Milk-still-4-300pp-250x141.jpg","medium-width":250,"medium-height":141,"medium_large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Selected-Milk-still-4-300pp-768x432.jpg","medium_large-width":768,"medium_large-height":432,"large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Selected-Milk-still-4-300pp-1500x844.jpg","large-width":900,"large-height":506,"1536x1536":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Selected-Milk-still-4-300pp-1536x864.jpg","1536x1536-width":1536,"1536x1536-height":864,"2048x2048":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Selected-Milk-still-4-300pp-2048x1152.jpg","2048x2048-width":2048,"2048x2048-height":1152,"large1200":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Selected-Milk-still-4-300pp-1200x675.jpg","large1200-width":1200,"large1200-height":675,"large1800":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Selected-Milk-still-4-300pp-1800x1013.jpg","large1800-width":1800,"large1800-height":1013,"small":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Selected-Milk-still-4-300pp-120x68.jpg","small-width":120,"small-height":68,"uncompressed":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Selected-Milk-still-4-300pp-scaled.jpg","uncompressed-width":2560,"uncompressed-height":1440,"custom-size":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2021\/09\/Selected-Milk-still-4-300pp-700x200.jpg","custom-size-width":700,"custom-size-height":200}},"copyright_compr":"","horizontal_compr_lv":false,"copyright_compr_lv":"","additional_content":"","screenings_2021":[{"month":false,"date":"22","end_date":"","time":"21:00","time_end":"","venue_url_languages":[{"type":"buy","sold_out":false,"closed":false,"free":false,"soon":false,"venue":"online","url":"short-riga-international-competition-vi\/9725\/","bilesu_servisa_id":"341721","custom_tickets_url":"","apply_url":"","subtitle_language":[],"audio_language":[]}],"event_post_title":"Previously","event_post_url":"https:\/\/rigaiff.lv\/en\/previously","event_parent_details":[]}],"films_select":[21939,21945,21952],"embed_title":"","embed_text":"","embed_code":"https:\/\/youtu.be\/MH4F6EW2M5A","custom_supporter_title":"","supporter":false,"jury_title":"","jury":false,"participants_title":"","participants":false,"overlay_image":false,"overlay_image_svg_lv":false,"background_image":false,"vertical_compr":false,"vertical_compr_lv":false}}}]}]},{"acf_fc_layout":"years","year_#":"2020","legacy_text":"

RIGA IFF takes place from 15 to 25 October in an unprecedented format \u2013 both in person as well as online and accessible all over Latvia. The festival opens with a cine-concert screening of the newly restored feature film \u201cWhere is the Truth?!\u201d from 1913 accompanied by original music composed for this event. A total of 129 films screen in the festival program.<\/p>\n

\u201cConference\u201d (dir. Ivan I. Tverdovsky, RU) wins the main RIGA IFF prize in the FEATURE FILM COMPETITION; \u201cSymbiosis\u201d (dir. Nadja Andrasev, FR) wins the SHORT RIGA International Competition and “II Lines” wins the National Competition (dir. Alise Zari\u0146a, LV). The short film ” Push This Button if You Begin to Panic” (dir. Gabriel B\u00f6hmer, UK) becomes the nominee for the European Film Awards.<\/p>\n

For the first time this year, all RIGA IFF FORUM industry events take place only online, bringing together film industry professionals from all over the world: Magnetic Series explores series production in the Baltic and Nordic regions, while Green Charter seeks solutions for sustainable and climate-friendly filmmaking. Additionally, a record number of accredited international delegates are provided with the opportunity to watch 32 of the latest Latvian films online.<\/p>\n","section":[{"title":"","card":[{"type":"external","title":"Programme teaser","sub-title":"RIGA IFF 2020","url":"https:\/\/youtu.be\/1JKpF1M_05s","image":{"ID":19098,"id":19098,"title":"RIGA IFF Programme Teaser 2020 \u2013 Thumbnail","filename":"RIGA-IFF-Programme-Teaser-2020-\u2013-Thumbnail.jpg","filesize":973475,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/12\/RIGA-IFF-Programme-Teaser-2020-\u2013-Thumbnail.jpg","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/12\/RIGA-IFF-Programme-Teaser-2020-\u2013-Thumbnail.jpg","alt":"","author":"2","description":"","caption":"","name":"riga-iff-programme-teaser-2020-thumbnail","status":"inherit","uploaded_to":19072,"date":"2020-12-07 09:12:23","modified":"2020-12-07 09:12:23","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/rigaiff.lv\/wp-includes\/images\/media\/default.png","width":1920,"height":1080,"sizes":{"thumbnail":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/12\/RIGA-IFF-Programme-Teaser-2020-\u2013-Thumbnail-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/12\/RIGA-IFF-Programme-Teaser-2020-\u2013-Thumbnail-250x141.jpg","medium-width":250,"medium-height":141,"medium_large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/12\/RIGA-IFF-Programme-Teaser-2020-\u2013-Thumbnail-768x432.jpg","medium_large-width":768,"medium_large-height":432,"large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/12\/RIGA-IFF-Programme-Teaser-2020-\u2013-Thumbnail-700x394.jpg","large-width":700,"large-height":394,"1536x1536":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/12\/RIGA-IFF-Programme-Teaser-2020-\u2013-Thumbnail-1536x864.jpg","1536x1536-width":1536,"1536x1536-height":864,"2048x2048":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/12\/RIGA-IFF-Programme-Teaser-2020-\u2013-Thumbnail.jpg","2048x2048-width":1920,"2048x2048-height":1080,"large1200":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/12\/RIGA-IFF-Programme-Teaser-2020-\u2013-Thumbnail.jpg","large1200-width":1200,"large1200-height":675,"large1800":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/12\/RIGA-IFF-Programme-Teaser-2020-\u2013-Thumbnail.jpg","large1800-width":1800,"large1800-height":1013,"small":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/12\/RIGA-IFF-Programme-Teaser-2020-\u2013-Thumbnail-120x68.jpg","small-width":120,"small-height":68,"uncompressed":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/12\/RIGA-IFF-Programme-Teaser-2020-\u2013-Thumbnail.jpg","uncompressed-width":1920,"uncompressed-height":1080,"custom-size":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/12\/RIGA-IFF-Programme-Teaser-2020-\u2013-Thumbnail-700x200.jpg","custom-size-width":700,"custom-size-height":200}},"post":{"ID":16446,"post_author":"2","post_date":"2020-09-10 09:18:40","post_date_gmt":"2020-09-10 06:18:40","post_content":"

Interested in what can be accomplished during a round-the-clock hackathon? Tune in to virtually attend the hackathon project presentations and awards, to see what educational XR solutions were developed during the third RIGA IFF hackathon!<\/p>\r\n

Schedule<\/h2>\r\n

14.00<\/strong> Welcome
\r\n14.10<\/strong> Hackathon project presentations
\r\n14.30<\/strong> Jury deliberation
\r\n15.15<\/strong> Jury feedback & awards<\/p>","post_title":"Presentations","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"presentations","to_ping":"","pinged":"","post_modified":"2020-10-17 12:52:49","post_modified_gmt":"2020-10-17 09:52:49","post_content_filtered":"","post_parent":0,"guid":"https:\/\/rigaiff.lv\/?post_type=forum_events&p=16446","menu_order":0,"post_type":"forum_events","post_mime_type":"","comment_count":"0","filter":"raw","post_content_ml":"[:en]

Interested in what can be accomplished during a round-the-clock hackathon? Tune in to virtually attend the hackathon project presentations and awards, to see what educational XR solutions were developed during the third RIGA IFF hackathon!<\/p>\r\n

Schedule<\/h2>\r\n

14.00<\/strong> Welcome
\r\n14.10<\/strong> Hackathon project presentations
\r\n14.30<\/strong> Jury deliberation
\r\n15.15<\/strong> Jury feedback & awards<\/p>[:]","post_content_langs":{"en":true},"post_title_ml":"[:en]Presentations[:]","post_title_langs":{"en":true},"acf":{"vertical_compr":false,"horizontal_compr":{"ID":16440,"id":16440,"title":"rigaiff_forum_xr_presentations","filename":"rigaiff_forum_xr_presentations.jpg","filesize":1385793,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/rigaiff_forum_xr_presentations.jpg","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/rigaiff_forum_xr_presentations.jpg","alt":"","author":"2","description":"","caption":"","name":"rigaiff_forum_xr_presentations","status":"inherit","uploaded_to":16438,"date":"2020-09-10 05:53:35","modified":"2020-09-10 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(en)"}],"url":"https:\/\/forms.gle\/XDhbXKFAmJ4QpAeNA","bilesu_servisa_id":"","date":"18","time":"14:00","end_date":"","time_end":"","event_post_title":"Previously","event_post_url":"https:\/\/rigaiff.lv\/en\/previously","event_parent_details":[]}],"jury_title":"","jury":false,"participants_title":"","participants":false,"custom_supporter_title":"","supporter":false,"buttons":false,"additional_content":"","embed_title":"","embed_text":"","embed_code":"https:\/\/www.youtube.com\/watch?v=_pDW5SPUOYw","forum_project_select":false}}},{"type":"external","title":"NORDIC HIGHLIGHTS Teaser","sub-title":"RIGA IFF 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kino koncerts \u201cKur paties\u012bba?!\u201d","sub-title":"RIGA IFF 2020","url":"https:\/\/www.lsm.lv\/raksts\/kultura\/kino-foto-un-tv\/video-riga-iff-atklasanas-kino-koncerts-kur-patiesiba.a377937\/","image":{"ID":15700,"id":15700,"title":"Where is the Truth 5","filename":"Where-is-the-Truth-5.jpg","filesize":1146395,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/08\/Where-is-the-Truth-5.jpg","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/08\/Where-is-the-Truth-5.jpg","alt":"","author":"2","description":"","caption":"","name":"where-is-the-truth-5","status":"inherit","uploaded_to":15663,"date":"2020-08-26 20:47:43","modified":"2020-08-27 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15:44:46","post_date_gmt":"2020-07-31 12:44:46","post_content":"

Gints Zilbalodis will share what he learned while making his feature debut Away<\/i><\/a>, which won the Contrechamp Award for Best Feature Film at the Annecy International Animation Film festival in 2019. He will also reveal what goes on behind the scenes of the creative process of his upcoming film Flow<\/i>.<\/p>\r\n

This event is for audiences with prior knowledge of animation.
\r\nEntry upon registration (seating is limited). Deadline for applications: 6 September 2020, 23:59.<\/p>","post_title":"Masterclass by Gints Zilbalodis","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"masterclass-by-gints-zilbalodis","to_ping":"","pinged":"","post_modified":"2020-11-05 17:51:22","post_modified_gmt":"2020-11-05 15:51:22","post_content_filtered":"","post_parent":0,"guid":"https:\/\/rigaiff.lv\/?post_type=forum_events&p=15392","menu_order":0,"post_type":"forum_events","post_mime_type":"","comment_count":"0","filter":"raw","post_content_ml":"[:en]

Gints Zilbalodis will share what he learned while making his feature debut Away<\/i><\/a>, which won the Contrechamp Award for Best Feature Film at the Annecy International Animation Film festival in 2019. He will also reveal what goes on behind the scenes of the creative process of his upcoming film Flow<\/i>.<\/p>\r\n

This event is for audiences with prior knowledge of animation.
\r\nEntry upon registration (seating is limited). Deadline for applications: 6 September 2020, 23:59.<\/p>[:]","post_content_langs":{"en":true},"post_title_ml":"[:en]Masterclass by Gints Zilbalodis[:]","post_title_langs":{"en":true},"acf":{"vertical_compr":false,"horizontal_compr":{"ID":18901,"id":18901,"title":"rigaiff_forum_balticanimationmeetup_Zilbalodis","filename":"rigaiff_forum_balticanimationmeetup_Zilbalodis.jpg","filesize":542468,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/07\/rigaiff_forum_balticanimationmeetup_Zilbalodis.jpg","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/07\/rigaiff_forum_balticanimationmeetup_Zilbalodis.jpg","alt":"","author":"2","description":"","caption":"","name":"rigaiff_forum_balticanimationmeetup_zilbalodis","status":"inherit","uploaded_to":15392,"date":"2020-11-05 15:50:58","modified":"2020-11-05 15:50:58","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/rigaiff.lv\/wp-includes\/images\/media\/default.png","width":1920,"height":1080,"sizes":{"thumbnail":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/07\/rigaiff_forum_balticanimationmeetup_Zilbalodis-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/07\/rigaiff_forum_balticanimationmeetup_Zilbalodis-250x141.jpg","medium-width":250,"medium-height":141,"medium_large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/07\/rigaiff_forum_balticanimationmeetup_Zilbalodis-768x432.jpg","medium_large-width":768,"medium_large-height":432,"large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/07\/rigaiff_forum_balticanimationmeetup_Zilbalodis-700x394.jpg","large-width":700,"large-height":394,"1536x1536":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/07\/rigaiff_forum_balticanimationmeetup_Zilbalodis-1536x864.jpg","1536x1536-width":1536,"1536x1536-height":864,"2048x2048":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/07\/rigaiff_forum_balticanimationmeetup_Zilbalodis.jpg","2048x2048-width":1920,"2048x2048-height":1080,"large1200":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/07\/rigaiff_forum_balticanimationmeetup_Zilbalodis.jpg","large1200-width":1200,"large1200-height":675,"large1800":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/07\/rigaiff_forum_balticanimationmeetup_Zilbalodis.jpg","large1800-width":1800,"large1800-height":1013,"small":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/07\/rigaiff_forum_balticanimationmeetup_Zilbalodis-120x68.jpg","small-width":120,"small-height":68,"uncompressed":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/07\/rigaiff_forum_balticanimationmeetup_Zilbalodis.jpg","uncompressed-width":1920,"uncompressed-height":1080,"custom-size":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/07\/rigaiff_forum_balticanimationmeetup_Zilbalodis-700x200.jpg","custom-size-width":700,"custom-size-height":200}},"copyright_compr":"","vertical_compr_lv":false,"horizontal_compr_lv":false,"subtitle":"Lecture by: Gints Zilbalodis","screenings":[{"type":"apply","free":false,"closed":true,"venue":"onlineeverywhere","subtitle_language":[],"audio_language":[{"value":"en","label":"English (en)"}],"url":"https:\/\/forms.gle\/UsbEpjQbEBubzQgk6","bilesu_servisa_id":"","date":"24","time":"11:00","end_date":"","time_end":"","event_post_title":"Previously","event_post_url":"https:\/\/rigaiff.lv\/en\/previously","event_parent_details":[]}],"custom_supporter_title":"","supporter":false,"jury_title":"Lecturer","jury":[{"image":{"ID":15397,"id":15397,"title":"Gints Zilbalodis","filename":"Gints-Zilbalodis.jpg","filesize":141563,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/07\/Gints-Zilbalodis.jpg","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/07\/Gints-Zilbalodis.jpg","alt":"","author":"2","description":"","caption":"","name":"gints-zilbalodis-2","status":"inherit","uploaded_to":15392,"date":"2020-07-31 13:36:57","modified":"2020-07-31 13:36:57","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/rigaiff.lv\/wp-includes\/images\/media\/default.png","width":1600,"height":1398,"sizes":{"thumbnail":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/07\/Gints-Zilbalodis-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/07\/Gints-Zilbalodis-250x218.jpg","medium-width":250,"medium-height":218,"medium_large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/07\/Gints-Zilbalodis-768x671.jpg","medium_large-width":768,"medium_large-height":671,"large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/07\/Gints-Zilbalodis-700x612.jpg","large-width":700,"large-height":612,"1536x1536":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/07\/Gints-Zilbalodis-1536x1342.jpg","1536x1536-width":1536,"1536x1536-height":1342,"2048x2048":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/07\/Gints-Zilbalodis.jpg","2048x2048-width":1600,"2048x2048-height":1398,"large1200":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/07\/Gints-Zilbalodis.jpg","large1200-width":1200,"large1200-height":1049,"large1800":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/07\/Gints-Zilbalodis.jpg","large1800-width":1600,"large1800-height":1398,"small":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/07\/Gints-Zilbalodis-120x105.jpg","small-width":120,"small-height":105,"uncompressed":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/07\/Gints-Zilbalodis.jpg","uncompressed-width":1600,"uncompressed-height":1398,"custom-size":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/07\/Gints-Zilbalodis-700x200.jpg","custom-size-width":700,"custom-size-height":200}},"name,_surname":"Gints Zilbalodis","position":"","description":"

Gints Zilbalodis is a Latvian filmmaker and animator. His debut feature film Away<\/em>, which he made entirely by himself, won the main prize at the Annecy International Animation Film Festival and has been selected by over 70 festivals. Prior to Away Zilbalodis made 7 short films in various mediums, including hand-drawn animation, 3D animation and live-action,often mixing aesthetics. He is currently working on his second animated feature, Flow<\/em>.<\/p>\n","links":[{"title":"Vimeo","url":"https:\/\/vimeo.com\/gints"}]}],"participants_title":"","participants":false,"buttons":false,"parent_s":[14517],"additional_content":"","embed_title":"","embed_text":"","embed_code":"https:\/\/www.youtube.com\/watch?v=ds13YbNbDgA","forum_project_select":false,"disable_descriptions":false}}},{"type":"internal","title":"","sub-title":"","url":"","image":false,"post":{"ID":16425,"post_author":"2","post_date":"2020-09-10 08:29:05","post_date_gmt":"2020-09-10 05:29:05","post_content":"

Our series of inspirational talks will help you find out where this immersive frenzy is going, why cinema should be open to using XR and what benefits film professionals can get from, or bring to XR. Whatever your field and level of expertise \u2013 be it film, tech or other \u2013 join us to hear some exciting case studies and learn about creating and distributing immersive content!<\/span><\/p>\r\n

Schedule<\/h2>\r\n

9.00 \u2013 9.10<\/strong> Welcome
\r\n9.10 \u2013 9.40<\/strong> Evette Vargas, \"The Art of Writing Immersive XR Narrative\"
\r\n9.55 \u2013 10.25<\/strong> Iris Verhoeven, \"Digital Experiments in the Search for Film Experience for Children and Youngsters\"
\r\n10.40 \u2013 11.10<\/strong> Marina Petrakova, \"Do I Create an XR Experience or Does It Create Me?\"<\/p>\r\n

A short break \u2013 10 minutes<\/strong><\/p>\r\n

11.35 \u2013 12.05<\/strong> Rich Warren, \"Introducing Immersive Storytelling to Traditional Audiences\"
\r\n12.20 \u2013 12.50<\/strong> Pierre Friquet, \"Immersive Technologies at a Crossroad: Mature for the Experts but Still Obscure for the General Public?\"
\r\n13.05 \u2013 13.35<\/strong> Sandra Gaudenzi, \"Immersion, Beyond VR\"
\r\n13.50 \u2013 14.00<\/strong> Closing statement by the moderator & organizers<\/p>","post_title":"Inspirational Lectures","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"inspirational-lectures","to_ping":"","pinged":"","post_modified":"2020-12-10 14:51:43","post_modified_gmt":"2020-12-10 12:51:43","post_content_filtered":"","post_parent":0,"guid":"https:\/\/rigaiff.lv\/?post_type=forum_events&p=16425","menu_order":0,"post_type":"forum_events","post_mime_type":"","comment_count":"0","filter":"raw","post_content_ml":"[:en]

Our series of inspirational talks will help you find out where this immersive frenzy is going, why cinema should be open to using XR and what benefits film professionals can get from, or bring to XR. Whatever your field and level of expertise \u2013 be it film, tech or other \u2013 join us to hear some exciting case studies and learn about creating and distributing immersive content!<\/span><\/p>\r\n

Schedule<\/h2>\r\n

9.00 \u2013 9.10<\/strong> Welcome
\r\n9.10 \u2013 9.40<\/strong> Evette Vargas, \"The Art of Writing Immersive XR Narrative\"
\r\n9.55 \u2013 10.25<\/strong> Iris Verhoeven, \"Digital Experiments in the Search for Film Experience for Children and Youngsters\"
\r\n10.40 \u2013 11.10<\/strong> Marina Petrakova, \"Do I Create an XR Experience or Does It Create Me?\"<\/p>\r\n

A short break \u2013 10 minutes<\/strong><\/p>\r\n

11.35 \u2013 12.05<\/strong> Rich Warren, \"Introducing Immersive Storytelling to Traditional Audiences\"
\r\n12.20 \u2013 12.50<\/strong> Pierre Friquet, \"Immersive Technologies at a Crossroad: Mature for the Experts but Still Obscure for the General Public?\"
\r\n13.05 \u2013 13.35<\/strong> Sandra Gaudenzi, \"Immersion, Beyond VR\"
\r\n13.50 \u2013 14.00<\/strong> Closing statement by the moderator & organizers<\/p>[:]","post_content_langs":{"en":true},"post_title_ml":"[:en]Inspirational Lectures[:]","post_title_langs":{"en":true},"acf":{"vertical_compr":false,"horizontal_compr":{"ID":16436,"id":16436,"title":"rigaiff_forum_xr_lectures","filename":"rigaiff_forum_xr_lectures.jpg","filesize":1279323,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/rigaiff_forum_xr_lectures.jpg","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/rigaiff_forum_xr_lectures.jpg","alt":"","author":"2","description":"","caption":"","name":"rigaiff_forum_xr_lectures","status":"inherit","uploaded_to":16425,"date":"2020-09-10 05:47:59","modified":"2020-09-10 05:47:59","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/rigaiff.lv\/wp-includes\/images\/media\/default.png","width":1920,"height":1080,"sizes":{"thumbnail":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/rigaiff_forum_xr_lectures-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/rigaiff_forum_xr_lectures-250x141.jpg","medium-width":250,"medium-height":141,"medium_large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/rigaiff_forum_xr_lectures-768x432.jpg","medium_large-width":768,"medium_large-height":432,"large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/rigaiff_forum_xr_lectures-700x394.jpg","large-width":700,"large-height":394,"1536x1536":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/rigaiff_forum_xr_lectures-1536x864.jpg","1536x1536-width":1536,"1536x1536-height":864,"2048x2048":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/rigaiff_forum_xr_lectures.jpg","2048x2048-width":1920,"2048x2048-height":1080,"large1200":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/rigaiff_forum_xr_lectures.jpg","large1200-width":1200,"large1200-height":675,"large1800":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/rigaiff_forum_xr_lectures.jpg","large1800-width":1800,"large1800-height":1013,"small":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/rigaiff_forum_xr_lectures-120x68.jpg","small-width":120,"small-height":68,"uncompressed":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/rigaiff_forum_xr_lectures.jpg","uncompressed-width":1920,"uncompressed-height":1080,"custom-size":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/rigaiff_forum_xr_lectures-700x200.jpg","custom-size-width":700,"custom-size-height":200}},"copyright_compr":"","vertical_compr_lv":false,"horizontal_compr_lv":false,"subtitle":"","parent_s":[14381],"jury_title":"Speakers","jury":[{"image":{"ID":16428,"id":16428,"title":"Evette Vargas","filename":"Evette-Vargas.jpg","filesize":1870095,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Evette-Vargas.jpg","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Evette-Vargas.jpg","alt":"","author":"2","description":"","caption":"","name":"evette-vargas","status":"inherit","uploaded_to":16425,"date":"2020-09-10 05:22:38","modified":"2020-09-10 05:22:38","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/rigaiff.lv\/wp-includes\/images\/media\/default.png","width":1200,"height":1500,"sizes":{"thumbnail":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Evette-Vargas-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Evette-Vargas-250x313.jpg","medium-width":240,"medium-height":300,"medium_large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Evette-Vargas-768x960.jpg","medium_large-width":768,"medium_large-height":960,"large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Evette-Vargas-700x875.jpg","large-width":700,"large-height":875,"1536x1536":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Evette-Vargas.jpg","1536x1536-width":1200,"1536x1536-height":1500,"2048x2048":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Evette-Vargas.jpg","2048x2048-width":1200,"2048x2048-height":1500,"large1200":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Evette-Vargas.jpg","large1200-width":1200,"large1200-height":1500,"large1800":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Evette-Vargas.jpg","large1800-width":1200,"large1800-height":1500,"small":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Evette-Vargas-120x150.jpg","small-width":120,"small-height":150,"uncompressed":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Evette-Vargas.jpg","uncompressed-width":1200,"uncompressed-height":1500,"custom-size":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Evette-Vargas-700x200.jpg","custom-size-width":700,"custom-size-height":200}},"name,_surname":"Evette Vargas","position":"Digital-Reign, USA","description":"

Keynote synopsis<\/strong><\/p>\n

The Art of Writing Immersive XR Narratives<\/p>\n

Join Evette Vargas, award-winning writer, director, producer and immersive storyteller, for an in-depth presentation and demonstration about how to write professional scripts for immersive, XR narrative experiences. Vargas has written XR experiences for The Current War<\/i>, starring Benedict Cumberbatch, Dark Prophet<\/i>, starring Henry Rollins, among others.<\/p>\n

Professional bio<\/strong><\/p>\n

Evette Vargas is an award-winning writer, director, producer and immersive storyteller. Named by the New York Times as an \u201cArtist to Watch,\u201d Evette has produced series for Amazon, MTV, Bravo, DirectTV; and interactive content for Fast And Furious, Lord Of The Rings trilogy, Madonna and Wu Tang Clan. Evette\u2019s digital series, Dark Prophet, starring Henry Rollins, was in contention for two Emmys. Evette has sold seven pitches, including her drama series, Muses, to TNT Super Deluxe. Evette is creating a drama series for MGM Television with Marc Guggenheim and Rosario Dawson, developing a drama series for Entertainment One with Peter Johnson, and penning the Mix Master Mike feature biopic. Evette wrote, The Current War VR Experience, a companion piece for the film, starring Benedict Cumberbatch, and was commissioned by Final Draft to create the Evette Vargas Immersiveplay — the professional script writing template for VR, AR, XR writing. Evette is a member of the Writers Guild of America, Academy of Television Arts and Sciences and Producers Guild of America.<\/p>\n

 <\/p>\n","links":[{"title":"Digital-Reign","url":"http:\/\/digital-reign.net\/"},{"title":"LinkedIn","url":"https:\/\/www.linkedin.com\/in\/evette-vargas-361394\/"}]},{"image":{"ID":16426,"id":16426,"title":"Iris Verhoeven","filename":"Iris-Verhoeven-scaled.jpg","filesize":470979,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Iris-Verhoeven-scaled.jpg","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Iris-Verhoeven-scaled.jpg","alt":"","author":"2","description":"","caption":"","name":"iris-verhoeven","status":"inherit","uploaded_to":16425,"date":"2020-09-10 05:19:51","modified":"2020-09-10 05:19:51","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/rigaiff.lv\/wp-includes\/images\/media\/default.png","width":1707,"height":2560,"sizes":{"thumbnail":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Iris-Verhoeven-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Iris-Verhoeven-250x375.jpg","medium-width":200,"medium-height":300,"medium_large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Iris-Verhoeven-768x1152.jpg","medium_large-width":768,"medium_large-height":1152,"large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Iris-Verhoeven-700x1050.jpg","large-width":700,"large-height":1050,"1536x1536":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Iris-Verhoeven-1024x1536.jpg","1536x1536-width":1024,"1536x1536-height":1536,"2048x2048":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Iris-Verhoeven-1365x2048.jpg","2048x2048-width":1365,"2048x2048-height":2048,"large1200":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Iris-Verhoeven-scaled.jpg","large1200-width":1200,"large1200-height":1800,"large1800":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Iris-Verhoeven-scaled.jpg","large1800-width":1707,"large1800-height":2560,"small":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Iris-Verhoeven-120x180.jpg","small-width":120,"small-height":180,"uncompressed":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Iris-Verhoeven-scaled.jpg","uncompressed-width":1707,"uncompressed-height":2560,"custom-size":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Iris-Verhoeven-700x200.jpg","custom-size-width":700,"custom-size-height":200}},"name,_surname":"Iris Verhoeven","position":"JEF, Belgium","description":"

Professional bio<\/strong><\/p>\n

Iris is director of JEF, the new (since 2017) organisation for youth film in Flanders, Belgium. JEF deals with distribution, film education and media literacy activities in schools and leisure time and organises a yearly youth film festival in 5 cities. The festival has initiated the biggest medialab in Flanders and the online platform JEF in the hospital, a project for children in hospitals and rehabilitation centres, which went international in 2018.<\/p>\n

Before she was the business director of\u00a0 the European Youth Film Festival (Het Jeugdfilmfestival) for almost 10 years where she was responsible for the business part and the medialab. Before the festival she worked at the University of Antwerp doing research on museums for contemporary art and the audiovisual field. Previously Iris was the director of a cultural centre in Antwerp. She is a member of the board of directors of oKo (Flemish Federation of Employers in the arts sector) and of Sociare (sociocultural employers federation).<\/p>\n

Iris studied Politics and Sociology, Comparative Cultural Sciences and Cultural Management and resided two years in Barcelona for studying Catalan language and art at UAB. Last year she finished the LinC leadership programme from the University of Utrecht and Antwerp Management School.<\/p>\n

Keynote synopsis<\/strong><\/p>\n

Let JEF take you on their journey of digital experiments in the search for more film experience for children and youngsters. Almost a decade ago they started experimenting with digital art installations and games. JEF is a strong believer of the impact that film experiences can have on children and youngsters. Next to more traditional film screenings they have been experimenting with their medialab and VR, AR, MR at their festivals, in educational materials for schools and recently created some own installations that travel around Belgium. This layered content creates more in depth experiences. These experiences enlarges young people’s knowledge on current possibilities and techniques and enlarges empathy and understanding for characters in the stories. They collaborate with a variety of artists and showcase creations of students, professionals but also academic work in progress and even co-create with children when possible. Iris Verhoeven, director of JEF is happy to share insights in this interesting journey they have been on these last 10 years and would be great sharing ideas with participants at Riga IFF.<\/p>\n","links":[{"title":"JEF","url":"https:\/\/professionals.jeugdfilm.be\/en?no-landing"},{"title":"LinkedIn","url":"https:\/\/www.linkedin.com\/in\/iris-verhoeven-a4273756\/"}]},{"image":{"ID":16430,"id":16430,"title":"Pierre Friquet","filename":"Pierre-Friquet-scaled.jpg","filesize":574699,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Pierre-Friquet-scaled.jpg","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Pierre-Friquet-scaled.jpg","alt":"","author":"2","description":"","caption":"","name":"pierre-friquet","status":"inherit","uploaded_to":16425,"date":"2020-09-10 05:22:50","modified":"2020-09-10 05:22:50","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/rigaiff.lv\/wp-includes\/images\/media\/default.png","width":2560,"height":2364,"sizes":{"thumbnail":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Pierre-Friquet-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Pierre-Friquet-250x231.jpg","medium-width":250,"medium-height":231,"medium_large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Pierre-Friquet-768x709.jpg","medium_large-width":768,"medium_large-height":709,"large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Pierre-Friquet-700x646.jpg","large-width":700,"large-height":646,"1536x1536":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Pierre-Friquet-1536x1418.jpg","1536x1536-width":1536,"1536x1536-height":1418,"2048x2048":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Pierre-Friquet-2048x1891.jpg","2048x2048-width":2048,"2048x2048-height":1891,"large1200":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Pierre-Friquet-scaled.jpg","large1200-width":1200,"large1200-height":1108,"large1800":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Pierre-Friquet-scaled.jpg","large1800-width":1800,"large1800-height":1662,"small":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Pierre-Friquet-120x111.jpg","small-width":120,"small-height":111,"uncompressed":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Pierre-Friquet-scaled.jpg","uncompressed-width":2560,"uncompressed-height":2364,"custom-size":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Pierre-Friquet-700x200.jpg","custom-size-width":700,"custom-size-height":200}},"name,_surname":"Pierre Friquet","position":"Creative director of immersive experiences, France","description":"

Keynote synopsis<\/b><\/p>\n

Immersive technologies have reached a crossroad between maturity for the experts and still obscurity for the general public. Yet, so often confused with a futuristic cinema, VR already has its own language. The uncharted territory of the new grammar draws from ancient traditions such as cave painting and oral storytelling. VR goes beyond traditional storytelling and captures the idea that engaging the audience requires interaction between the content and the user. In any virtual reality experience, you become an avatar of yourself, or a digital body in which you live and act within.Where am I? What am I? What can I do?<\/span><\/p>\n

This talk will reveal the new forms of immersive human-computer interactions, establishing body-based storytelling techniques. It will expand on both the grammar and workflow of immersive and interactive productions<\/span><\/p>\n

Professional bio<\/b><\/p>\n

Sorcerer’s apprentice, PYAR\u00e9 is a digital artist, creating immersive worlds. His intent is to make people reconnect with their body and sense of self through art and technology. Coming from a film background he focuses on creating content for the 3rd digital revolution, which is designing Reality through spatial computing (VR, AR, …).<\/span><\/p>\n

Passionate in virtual reality since 2010, he has designed more than a dozen XR experiences (interactive, fiction, documentaries, dome, music videos). His VR original fiction (co-created with Ando Shah), JETLAG, won the best live-action award at the Kaleidoscope VR festival Vol. 1 and was selected at Cannes Next in 2016. RED PATTERNS, a room-scale VR experience for the HTC Vive, was selected at the World VR Forum and was awarded at the Festival du Nouveau Cinema in Montreal.\u00a0<\/span><\/p>\n

His latest independent VR work is SPACED OUT, selected at Sundance New Frontier 2020. It’s an aquatic VR experience which uses the first waterproof VR headset by Ballast Technologies, that allows users to be submerged in a swimming pool while breathing from a snorkel.<\/span><\/p>\n

Recently I directed the most attended multi-users VR social live concert for Jean-Michel Jarre. It was a world breaking record with nearly 3,000 VR users and 600,000 streamers watching live for Music Day on 21st of June 2020. After living in India, South Africa and Canada, he\u2019s now based in Paris, France.\u00a0<\/span><\/p>\n

Selected VR works<\/b><\/p>\n

2020 ALONE TOGETHER \u2013 virtual concert for Jean-Michel Jarre – 40 min<\/span><\/p>\n

2019 SPACED OUT \u2013 aquatic VR experience for world\u2019s first waterproof VR headset – 9 min<\/span><\/p>\n

2017 RED PATTERNS \u2013interactive VR experience for HTC Vive, 8 min<\/span><\/p>\n

2016 WHITE PATTERNS \u2013 360\u00b0 fiction, 21 min<\/span><\/p>\n

2016 BLACK PATTERNS \u2013 immersive dome fiction, 31 min<\/span><\/p>\n

2015 VIBRATIONS \u2013 VR documentary, 14 min<\/span><\/p>\n

2015 JET LAG \u2013 VR short film, 9 min<\/span><\/p>\n","links":[{"title":"Pierre \u201cPyar\u00e9\u201d Friquet","url":"http:\/\/pierrefriquet.net\/"},{"title":"LinkedIn","url":"https:\/\/www.linkedin.com\/in\/pierrefriquet\/"}]},{"image":{"ID":16431,"id":16431,"title":"Marina Petrakova","filename":"Marina-Petrakova.jpg","filesize":571701,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Marina-Petrakova.jpg","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Marina-Petrakova.jpg","alt":"","author":"2","description":"","caption":"","name":"marina-petrakova","status":"inherit","uploaded_to":16425,"date":"2020-09-10 05:22:59","modified":"2020-09-10 05:22:59","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/rigaiff.lv\/wp-includes\/images\/media\/default.png","width":1422,"height":1422,"sizes":{"thumbnail":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Marina-Petrakova-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Marina-Petrakova-250x250.jpg","medium-width":250,"medium-height":250,"medium_large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Marina-Petrakova-768x768.jpg","medium_large-width":768,"medium_large-height":768,"large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Marina-Petrakova-700x700.jpg","large-width":700,"large-height":700,"1536x1536":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Marina-Petrakova.jpg","1536x1536-width":1422,"1536x1536-height":1422,"2048x2048":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Marina-Petrakova.jpg","2048x2048-width":1422,"2048x2048-height":1422,"large1200":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Marina-Petrakova.jpg","large1200-width":1200,"large1200-height":1200,"large1800":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Marina-Petrakova.jpg","large1800-width":1422,"large1800-height":1422,"small":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Marina-Petrakova-120x120.jpg","small-width":120,"small-height":120,"uncompressed":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Marina-Petrakova.jpg","uncompressed-width":1422,"uncompressed-height":1422,"custom-size":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Marina-Petrakova-700x200.jpg","custom-size-width":700,"custom-size-height":200}},"name,_surname":"Marina Petrakova","position":"VREACH, Latvia","description":"

Keynote synopsis<\/strong><\/p>\n

Do I create an XR experience or does it create me?<\/p>\n

Array of spheres that employ VR is vast \u2013 it ranges from marketing to film industry and from modern coaching experiences to setting boundaries of the new feminism.<\/p>\n

VR is often looked at from the perspective of business and content creation but in 2020 \u2013 a year marked by the Covid-19 pandemic \u2013 it is clear that the XR industry is not only an extension of conscience or business development tool but also a habit that can make a change in human perception. What am I capable of? How do I look? In what kind of society I live in? What are my creator’s boundaries in the XR industry? And finally \u2013 who are the creators of XR?<\/p>\n

Consciously or unconsciously XR changes general perceptions and creates opportunities in all spheres, from rehabilitation and education to creation of micro communities and development of innovative products. How does society benefit from it? And why is it a unique habit that shows new opportunities without assessing the content quality? This talk will look into why it is beneficial for all sides involved that the XR world is diverse. And, after all, is diversity a trend or a new ethical necessity?\u00a0<\/p>\n

Professional bio<\/strong><\/p>\n

Having a clinical background by education, Marina has diverse experience working in tech startups and healthcare sectors turning her to love developing innovative solutions\u00a0 of XR and delivering out of the bubble therefore highlighting additional value in different sectors from healthcare to education. Marina has extensive experience in building diverse and inclusive learning space being a core team member of Riga TechGirls community for 5 years, organized more than 60 workshops and 2 hackathons to educate and inspire women in tech. Co-founded VREACH company aimed to deliver VR experiences as therapeutical approach in rehabilitation and currently operates as CEO.\u00a0<\/p>\n

Participated in various cross-industry projects as team leader, XR visionary and mentor, – more than 20 hackathons, among all Riga Goes VR 2018 Best Idea prize winner and Riga Goes VR 2019 grand-prix winner with VR experience for adaptational trainings in autism which currently is part of startup VREACH.\u00a0<\/p>\n

In 2018 she co-founded the Extended Reality community of Latvia aimed to provide transparency of the XR industry among experts.<\/p>\n

Serving as RTG IT mentor and ambassador focusing on startups and IT souls to grow.<\/p>\n","links":[{"title":"VREACH","url":"https:\/\/www.facebook.com\/vreachapp"},{"title":"LinkedIn","url":"https:\/\/www.linkedin.com\/in\/marina-petrakova-18b854110\/"}]},{"image":{"ID":16429,"id":16429,"title":"Rich Warren","filename":"Rich-Warren-scaled.jpg","filesize":413068,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Rich-Warren-scaled.jpg","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Rich-Warren-scaled.jpg","alt":"","author":"2","description":"","caption":"","name":"rich-warren-2","status":"inherit","uploaded_to":16425,"date":"2020-09-10 05:22:43","modified":"2020-09-10 05:22:43","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/rigaiff.lv\/wp-includes\/images\/media\/default.png","width":2560,"height":1707,"sizes":{"thumbnail":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Rich-Warren-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Rich-Warren-250x167.jpg","medium-width":250,"medium-height":167,"medium_large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Rich-Warren-768x512.jpg","medium_large-width":768,"medium_large-height":512,"large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Rich-Warren-700x467.jpg","large-width":700,"large-height":467,"1536x1536":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Rich-Warren-1536x1024.jpg","1536x1536-width":1536,"1536x1536-height":1024,"2048x2048":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Rich-Warren-2048x1365.jpg","2048x2048-width":2048,"2048x2048-height":1365,"large1200":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Rich-Warren-scaled.jpg","large1200-width":1200,"large1200-height":800,"large1800":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Rich-Warren-scaled.jpg","large1800-width":1800,"large1800-height":1200,"small":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Rich-Warren-120x80.jpg","small-width":120,"small-height":80,"uncompressed":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Rich-Warren-scaled.jpg","uncompressed-width":2560,"uncompressed-height":1707,"custom-size":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Rich-Warren-700x200.jpg","custom-size-width":700,"custom-size-height":200}},"name,_surname":"Rich Warren","position":"Encounters Film festival, UK","description":"

Keynote synopsis<\/strong><\/p>\n

Introducing Immersive Storytelling to Traditional Audiences<\/p>\n

Since its inception Encounters Film Festival has traditionally showcased new and emerging talent in moving image on the cinema screen. In 2016 the festival introduced a new strand, Immersive Encounters, to provide a platform for new and emerging talent who were exploring the moving image beyond the cinema screen. Our intention was to do this organically to gently ease our audience into new XR formats so that they feel comfortable and can focus on the format rather than the technology. This approach has allowed us to introduce not only Virtual Reality to new audiences but also Holographic performances, Augmented Reality and other mixed media art work.<\/p>\n

Professional bio<\/strong><\/p>\n

Rich Warren is the Festival Director for Encounters Film Festival, the UK’s leading short film, animation and VR celebration.\u00a0 Based in Bristol, UK, the festival prioritises the showcasing, supporting and progression of new and emerging talent in the moving image. The 26th edition of the festival took place from 18th September to 11th October 2020.<\/p>\n

Rich began working for the festival in 2008 however during this time he has also had the opportunity to continue his support of new talent with roles such as the Talent Scout for the National Film and Television School, UK and a sabbatical year in Sydney working with indigenous talent.\u00a0 He also holds an MFA in Curating.<\/p>\n","links":[{"title":"Encounters","url":"https:\/\/www.encounters.film\/about"},{"title":"LinkedIn","url":"https:\/\/www.linkedin.com\/in\/rich-warren-75843453\/"}]},{"image":{"ID":17428,"id":17428,"title":"Sandra Gaudenzi","filename":"Sandra-Gaudenzi.jpeg","filesize":146038,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Sandra-Gaudenzi.jpeg","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Sandra-Gaudenzi.jpeg","alt":"","author":"2","description":"","caption":"","name":"sandra-gaudenzi","status":"inherit","uploaded_to":16425,"date":"2020-09-28 10:52:42","modified":"2020-09-28 10:52:42","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/rigaiff.lv\/wp-includes\/images\/media\/default.png","width":640,"height":427,"sizes":{"thumbnail":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Sandra-Gaudenzi-150x150.jpeg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Sandra-Gaudenzi-250x167.jpeg","medium-width":250,"medium-height":167,"medium_large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Sandra-Gaudenzi.jpeg","medium_large-width":640,"medium_large-height":427,"large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Sandra-Gaudenzi.jpeg","large-width":640,"large-height":427,"1536x1536":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Sandra-Gaudenzi.jpeg","1536x1536-width":640,"1536x1536-height":427,"2048x2048":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Sandra-Gaudenzi.jpeg","2048x2048-width":640,"2048x2048-height":427,"large1200":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Sandra-Gaudenzi.jpeg","large1200-width":640,"large1200-height":427,"large1800":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Sandra-Gaudenzi.jpeg","large1800-width":640,"large1800-height":427,"small":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Sandra-Gaudenzi-120x80.jpeg","small-width":120,"small-height":80,"uncompressed":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Sandra-Gaudenzi.jpeg","uncompressed-width":640,"uncompressed-height":427,"custom-size":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Sandra-Gaudenzi-640x200.jpeg","custom-size-width":640,"custom-size-height":200}},"name,_surname":"Sandra Gaudenzi","position":"University of Westminster","description":"

Keynote synopsis<\/strong><\/p>\n

Immersion, beyond VR<\/p>\n

Isn\u2019t it interesting that the word \u201cimmersion\u201d has gained traction in the last 5 years with the emergence of VR as a mass media proposition? As if we were not constantly immersed in \u201cphysical reality\u201d, as if linear stories were not immersive, as if our fantasy was not the most immersive media ever invented? And even if we wanted to stay within the digital world\u2026 Do we really need headsets to feel immersed in a story?<\/p>\n

This talk will speak about digitally mediated immersion outside of VR, AR & MR. It will use examples of expanded audio, locative narratives, serious games and immersive museums in order to challenge your notion of immersion. It will question \u201cwhat do we actually want from immersion\u201d and claim new immersive possibilities in interactive storytelling.<\/p>\n

Professional bio<\/strong><\/p>\n

Dr. Sandra Gaudenzi consults, researches, lectures and writes about interactive, immersive and transmedia narratives.\u00a0 She is Course Leader at the University of Westminster of disLAB, the first UK MA to be totally dedicated to interactive storytelling. She has played a leading role in the development of the DCRC’s i-Docs Symposia and website and is part of its research group, with whom she has co-edited and published the book \u201ci-docs: the Evolving Practices of Interactive Documentary\u201d.<\/p>\n

Between 2015-18 she was Lead initiator and Head of Studies of IF Lab, a European development lab for digital storytellers. Recent projects include Digital Me<\/i> (2015) and Corona Haikus<\/i> (2020).<\/p>\n","links":[{"title":"LinkedIn","url":"https:\/\/www.linkedin.com\/in\/sandragaudenzi\/?originalSubdomain=uk"},{"title":"University of Westminster","url":"https:\/\/www.westminster.ac.uk\/about-us\/our-people\/directory\/gaudenzi-sandra"}]},{"image":{"ID":16427,"id":16427,"title":"EVA BRAZD\u017dIONYTE - MODERATOR","filename":"EVA-BRAZDZIONYTE-MODERATOR-scaled.jpg","filesize":824675,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/EVA-BRAZDZIONYTE-MODERATOR-scaled.jpg","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/EVA-BRAZDZIONYTE-MODERATOR-scaled.jpg","alt":"","author":"2","description":"","caption":"","name":"eva-brazdzionyte-moderator-2","status":"inherit","uploaded_to":16425,"date":"2020-09-10 05:22:23","modified":"2020-09-10 05:22:23","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/rigaiff.lv\/wp-includes\/images\/media\/default.png","width":2491,"height":2560,"sizes":{"thumbnail":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/EVA-BRAZDZIONYTE-MODERATOR-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/EVA-BRAZDZIONYTE-MODERATOR-250x257.jpg","medium-width":250,"medium-height":257,"medium_large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/EVA-BRAZDZIONYTE-MODERATOR-768x789.jpg","medium_large-width":768,"medium_large-height":789,"large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/EVA-BRAZDZIONYTE-MODERATOR-700x719.jpg","large-width":700,"large-height":719,"1536x1536":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/EVA-BRAZDZIONYTE-MODERATOR-1495x1536.jpg","1536x1536-width":1495,"1536x1536-height":1536,"2048x2048":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/EVA-BRAZDZIONYTE-MODERATOR-1993x2048.jpg","2048x2048-width":1993,"2048x2048-height":2048,"large1200":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/EVA-BRAZDZIONYTE-MODERATOR-scaled.jpg","large1200-width":1200,"large1200-height":1233,"large1800":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/EVA-BRAZDZIONYTE-MODERATOR-scaled.jpg","large1800-width":1800,"large1800-height":1850,"small":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/EVA-BRAZDZIONYTE-MODERATOR-120x123.jpg","small-width":120,"small-height":123,"uncompressed":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/EVA-BRAZDZIONYTE-MODERATOR-scaled.jpg","uncompressed-width":2491,"uncompressed-height":2560,"custom-size":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/EVA-BRAZDZIONYTE-MODERATOR-700x200.jpg","custom-size-width":700,"custom-size-height":200}},"name,_surname":"Eva Brazd\u017eionyt\u0117","position":"Moderator","description":"

Emerging Regional Expert in Audio-Visual Content Financing with 10+ Years\u2019 Experience in Culture Management. Raised in a small town of Lithuania, globally minded, networker & promoter by nature. I do consulting on creative content development, public financing strategies within the context of the audio-visual industry. My interests are films, art, culture, video games, innovation, women empowerment & XR.\u00a0 Currently I work with interactive content production company GLUK MEDIA, in my free time I develop a network of Women in Film & Television Lithuania (WIFT LT). Last year I did a Women Go Tech mentorship program and became a coach in the International Coaching Community.<\/span><\/p>\n

 <\/p>\n","links":false}],"participants_title":"","participants":false,"screenings":[{"type":"apply","free":false,"closed":false,"venue":"onlineeverywhere","subtitle_language":[],"audio_language":[{"value":"en","label":"English (en)"}],"url":"https:\/\/forms.gle\/XDhbXKFAmJ4QpAeNA","bilesu_servisa_id":"","date":"16","time":"09:00","end_date":"16","time_end":"14:00","event_post_title":"Previously","event_post_url":"https:\/\/rigaiff.lv\/en\/previously","event_parent_details":[]}],"custom_supporter_title":"","supporter":false,"buttons":false,"additional_content":"","embed_title":"RIGA IFF GOES XR INSPIRATIONAL LECTURES | RIGA IFF FORUM 2020","embed_text":"","embed_code":"https:\/\/www.youtube.com\/watch?v=Gzv_cv2erdk","forum_project_select":false,"disable_descriptions":false}}},{"type":"internal","title":"","sub-title":"","url":"","image":false,"post":{"ID":17799,"post_author":"1","post_date":"2020-10-11 20:34:12","post_date_gmt":"2020-10-11 17:34:12","post_content":"

This year, RIGA IFF\u00a0invites everyone to make the unknown their own \u2013 both by coming face to face with the changes at present and by reflecting on the past.\u00a0For the third year in a row the architectural film program ARCHITECT\u2019S CUT will take place in cooperation with the National Library of Latvia. This year the programme was created by a guest curator \u2013 the social anthropologist and urban planner Viesturs Celmi\u0146\u0161.<\/p>\r\n

City Dreamers<\/em>\u00a0screening at the National Library of Latvia's Ziedonis Hall will be followed by a discussion. Viesturs Celmi\u0146\u0161 will welcome onstage and moderate the discussion with architects\u00a0Sintija Vaivade and Evel\u012bna Ozola. The screening takes place with the support of Embassy of Canada to Latvia.<\/p>","post_title":"\"City Dreamers\" and Discussion","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"pilsetu-sapnotajas-un-diskusija-city-dreamers-and-discussion","to_ping":"","pinged":"","post_modified":"2020-12-09 11:09:01","post_modified_gmt":"2020-12-09 09:09:01","post_content_filtered":"","post_parent":0,"guid":"https:\/\/rigaiff.lv\/?post_type=screenings_2020&p=17799","menu_order":0,"post_type":"screenings_2020","post_mime_type":"","comment_count":"0","filter":"raw","post_content_ml":"[:en]

This year, RIGA IFF\u00a0invites everyone to make the unknown their own \u2013 both by coming face to face with the changes at present and by reflecting on the past.\u00a0For the third year in a row the architectural film program ARCHITECT\u2019S CUT will take place in cooperation with the National Library of Latvia. This year the programme was created by a guest curator \u2013 the social anthropologist and urban planner Viesturs Celmi\u0146\u0161.<\/p>\r\n

City Dreamers<\/em>\u00a0screening at the National Library of Latvia's Ziedonis Hall will be followed by a discussion. Viesturs Celmi\u0146\u0161 will welcome onstage and moderate the discussion with architects\u00a0Sintija Vaivade and Evel\u012bna Ozola. The screening takes place with the support of Embassy of Canada to Latvia.<\/p>[:lv]

\u0160ogad RIGA IFF aicina apzin\u0101t nezin\u0101mo \u2013 gan p\u0101rmai\u0146\u0101s, kas skar ikvienu pa\u0161laik, gan atskatoties v\u0113stur\u0113. Jau tre\u0161o gadu, sadarb\u012bb\u0101 ar Latvijas Nacion\u0101lo bibliot\u0113ku, RIGA IFF izr\u0101da arhitekt\u016bras filmu programmu ARCHITECT\u2019S CUT, kuru \u0161ogad veidojis festiv\u0101la vieskurators, soci\u0101lantropologs un pils\u0113tpl\u0101not\u0101js Viesturs Celmi\u0146\u0161.<\/p>\r\n

P\u0113c \u201cPils\u0113tu sap\u0146ot\u0101jas\u201d seansa 19. oktobra plkst. 19.00 Latvijas Nacion\u0101l\u0101s bibliot\u0113kas Ziedo\u0146a z\u0101l\u0113 norisin\u0101sies Viestura Celmi\u0146a vad\u012bta saruna, kur\u0101 piedal\u012bsies arhitektes Sintija Vaivade un Evel\u012bna Ozola. Seanss norisin\u0101s ar Kan\u0101das v\u0113stniec\u012bbas Latvij\u0101 atbalstu.<\/p>[:]","post_content_langs":{"en":true,"lv":true},"post_title_ml":"[:en]\"City Dreamers\" and Discussion[:lv]\"Pils\u0113tu sap\u0146ot\u0101jas\" un saruna[:]","post_title_langs":{"en":true,"lv":true},"acf":{"horizontal_compr":{"ID":15808,"id":15808,"title":"City Dreamers","filename":"City-Dreamers.jpg","filesize":1649698,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/City-Dreamers.jpg","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/City-Dreamers.jpg","alt":"","author":"2","description":"","caption":"Fonds Phyllis Lambert\/First Run Features","name":"city-dreamers","status":"inherit","uploaded_to":15779,"date":"2020-09-01 09:13:28","modified":"2020-09-01 09:13:42","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/rigaiff.lv\/wp-includes\/images\/media\/default.png","width":2048,"height":1606,"sizes":{"thumbnail":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/City-Dreamers-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/City-Dreamers-250x196.jpg","medium-width":250,"medium-height":196,"medium_large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/City-Dreamers-768x602.jpg","medium_large-width":768,"medium_large-height":602,"large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/City-Dreamers-700x549.jpg","large-width":700,"large-height":549,"1536x1536":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/City-Dreamers-1536x1205.jpg","1536x1536-width":1536,"1536x1536-height":1205,"2048x2048":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/City-Dreamers.jpg","2048x2048-width":2048,"2048x2048-height":1606,"large1200":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/City-Dreamers.jpg","large1200-width":1200,"large1200-height":941,"large1800":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/City-Dreamers.jpg","large1800-width":1800,"large1800-height":1412,"small":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/City-Dreamers-120x94.jpg","small-width":120,"small-height":94,"uncompressed":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/City-Dreamers.jpg","uncompressed-width":2048,"uncompressed-height":1606,"custom-size":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/City-Dreamers-700x200.jpg","custom-size-width":700,"custom-size-height":200}},"copyright_compr":"","horizontal_compr_lv":false,"copyright_compr_lv":"","additional_content":"","custom_supporter_title":"","supporter":false,"jury_title":"","jury":false,"participants_title":"","participants":false,"films_select":[15779],"screening_parent_select":[14466],"screenings":[{"type":"cinema","free":false,"closed":false,"venue":"lnb","subtitle_language":[{"value":"en","label":"English (en)"}],"audio_language":[{"value":"lv","label":"Latvian (lv)"}],"url":"","bilesu_servisa_id":"320646","date":"19","time":"19:00","end_date":"","time_end":"","event_post_title":"Previously","event_post_url":"https:\/\/rigaiff.lv\/en\/previously","event_parent_details":[]},{"type":"cinema","free":false,"closed":false,"venue":"online","subtitle_language":[{"value":"en","label":"English (en)"}],"audio_language":[],"url":"","bilesu_servisa_id":"320521","date":"19","time":"19:00","end_date":"","time_end":"","event_post_title":"Previously","event_post_url":"https:\/\/rigaiff.lv\/en\/previously","event_parent_details":[]}],"embed_title":"","embed_text":"","embed_code":"https:\/\/youtu.be\/54L6bYONLwM"}}},{"type":"internal","title":"","sub-title":"","url":"","image":false,"post":{"ID":17263,"post_author":"2","post_date":"2020-09-21 15:53:02","post_date_gmt":"2020-09-21 12:53:02","post_content":"

What future awaits a world ravaged by climate change? RIGA IFF, in cooperation with the Latvian Fund for Nature (LFN), provides the opportunity to look at this issue from the point of view of Swedish directors Pella K\u00e5german and Hugo Lilja with a screening of their science fiction feature film Aniara<\/i><\/a>. The film will be accompanied by a discussion led by journalist Sandra Kropa with climate expert J\u0101nis Brizga, philosopher Artis Svece, Chairman of the LFN Council, Andrejs Briedis, and YouTuber and TV host Be\u0101te B\u0113rzi\u0146a (a.k.a. Beta Beidz<\/a>).<\/p>\r\n

K\u00e5german and Lilja\u2019s film heralds a time in the future when man-made natural disasters have become so devastating that people have started relocating to Mars. On one of these voyages, a spaceship deviates from its course and the captain has to inform the anxious passengers that the journey to the destination could take up to two years, instead of three weeks. Although there are many ways to stay entertained on board, for example with the artificial intelligence device MIMA, which offers travellers the opportunity to virtually observe their own memories of Earth, suspicions start to arise among the passengers that they might never escape from their confinement.<\/p>\r\n

In the post-screening conversation, the participants will focus on topics such as how to appreciate nature \u2013 both as individuals, as well as through our social processes \u2013 as well as seek to understand how much it is in our power to prevent that which seems inevitable \u2013 a life-threatening acceleration of the climate crisis \u2013 while at the same time living life to the fullest, rather than existing in a state of emotional exhaustion waiting for an apocalypse.<\/p>\r\n

Although the topics covered in Aniara <\/i>regarding the climate crisis are especially relevant today, the film\u2019s narrative originated in 1956, from a poem of the same name by Swedish author and Nobel Prize-winner Harry Martinson. The story of the film is largely based on Martinson\u2019s work, which the filmmakers wanted to re-interpret cinematically.<\/p>\r\n

The screening will be available free of charge both online and in-person thanks to the support of the Latvian Fund for Nature, the project \u201cGame on! Don\u2019t let climate change end the game\u201d and the Ministry of Culture. A ticket, or access code must, however, be redeemed before the screening. The film is being screened with the support of the Embassy of Sweden in Riga and the Swedish Institute.<\/p>\r\n

 <\/p>","post_title":"'Aniara' Screening With Conversation: Living in Times of Climate Change","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"ipasais-seanss-un-saruna-dzive-klimata-parmainu-laika","to_ping":"","pinged":"","post_modified":"2020-12-09 11:17:01","post_modified_gmt":"2020-12-09 09:17:01","post_content_filtered":"","post_parent":0,"guid":"https:\/\/rigaiff.lv\/?post_type=screenings_2020&p=17263","menu_order":0,"post_type":"screenings_2020","post_mime_type":"","comment_count":"0","filter":"raw","post_content_ml":"[:en]

What future awaits a world ravaged by climate change? RIGA IFF, in cooperation with the Latvian Fund for Nature (LFN), provides the opportunity to look at this issue from the point of view of Swedish directors Pella K\u00e5german and Hugo Lilja with a screening of their science fiction feature film Aniara<\/i><\/a>. The film will be accompanied by a discussion led by journalist Sandra Kropa with climate expert J\u0101nis Brizga, philosopher Artis Svece, Chairman of the LFN Council, Andrejs Briedis, and YouTuber and TV host Be\u0101te B\u0113rzi\u0146a (a.k.a. Beta Beidz<\/a>).<\/p>\r\n

K\u00e5german and Lilja\u2019s film heralds a time in the future when man-made natural disasters have become so devastating that people have started relocating to Mars. On one of these voyages, a spaceship deviates from its course and the captain has to inform the anxious passengers that the journey to the destination could take up to two years, instead of three weeks. Although there are many ways to stay entertained on board, for example with the artificial intelligence device MIMA, which offers travellers the opportunity to virtually observe their own memories of Earth, suspicions start to arise among the passengers that they might never escape from their confinement.<\/p>\r\n

In the post-screening conversation, the participants will focus on topics such as how to appreciate nature \u2013 both as individuals, as well as through our social processes \u2013 as well as seek to understand how much it is in our power to prevent that which seems inevitable \u2013 a life-threatening acceleration of the climate crisis \u2013 while at the same time living life to the fullest, rather than existing in a state of emotional exhaustion waiting for an apocalypse.<\/p>\r\n

Although the topics covered in Aniara <\/i>regarding the climate crisis are especially relevant today, the film\u2019s narrative originated in 1956, from a poem of the same name by Swedish author and Nobel Prize-winner Harry Martinson. The story of the film is largely based on Martinson\u2019s work, which the filmmakers wanted to re-interpret cinematically.<\/p>\r\n

The screening will be available free of charge both online and in-person thanks to the support of the Latvian Fund for Nature, the project \u201cGame on! Don\u2019t let climate change end the game\u201d and the Ministry of Culture. A ticket, or access code must, however, be redeemed before the screening. The film is being screened with the support of the Embassy of Sweden in Riga and the Swedish Institute.<\/p>\r\n

 <\/p>[:lv]

K\u0101da n\u0101kotne gaid\u0101ma pasaul\u0113, kuru plosa klimata p\u0101rmai\u0146u krustugunis? RIGA IFF sadarb\u012bb\u0101 ar Latvijas Dabas fondu pied\u0101v\u0101 \u0161o jaut\u0101jumu apskat\u012bt no zviedru re\u017eisoru Pellas Kogermanes un Hugo Lilja skatpunkta, zin\u0101tnisk\u0101s fantastikas dr\u0101m\u0101 Aniara<\/i><\/a>\u00a0un p\u0113c filmas seansa to apspriest \u017eurn\u0101listes Sandras Kropas vad\u012btaj\u0101 diskusij\u0101 kop\u0101 ar klimata ekspertu J\u0101ni Brizgu,\u00a0 filosofu Arti Sveci k\u0101 ar\u012b Latvijas Dabas fonda padomes priek\u0161s\u0113d\u0113t\u0101ju Andreju Briedi, j\u016bt\u016bberi un raid\u012bjumu vad\u012bt\u0101ju Be\u0101ti B\u0113rzi\u0146u (Beta Beidz<\/a>).<\/p>\r\n

Kogermanes filma v\u0113sta par laiku n\u0101kotn\u0113, kad cilv\u0113ku izrais\u012bt\u0101s dabas katastrofas ir k\u013cuvu\u0161as p\u0101r\u0101k posto\u0161as, un ir uzs\u0101kta p\u0101rcel\u0161an\u0101s uz Marsu. Vien\u0101 no \u0161\u0101diem p\u0101rbraucieniem, kosmosa ku\u0123is novirz\u0101s no kursa un kapteinis satrauktajiem pasa\u017eieriem zi\u0146o, ka tr\u012bs ned\u0113\u013cu viet\u0101 ce\u013c\u0161 l\u012bdz galam\u0113r\u0137im var\u0113tu aiz\u0146emt pat divus gadus. Lai ar\u012b uz kl\u0101ja ir daudz izklaides iesp\u0113ju \u2013 piem\u0113ram, m\u0101ksl\u012bg\u0101 intelekta iek\u0101rta MIMA, kas pied\u0101v\u0101 virtu\u0101li v\u0113rot pa\u0161u ce\u013cot\u0101ju atmi\u0146as par Zemi, pak\u0101peniski rodas aizdomas, ka pasa\u017eieri no \u0161\u012b ieslodz\u012bjuma var t\u0101 ar\u012b neizk\u013c\u016bt.<\/p>\r\n

Sarun\u0101 p\u0113c seansa diskusijas dal\u012bbnieki piev\u0113rs\u012bsies t\u0101d\u0101m t\u0113m\u0101m k\u0101 dabas nov\u0113rt\u0113\u0161ana \u2013 gan individu\u0101li, gan sabiedrisko procesu l\u012bmen\u012b. Diskusija ar\u012bdzan l\u016bkos aptvert, kas ir m\u016bsu sp\u0113kos, lai nov\u0113rstu \u0161\u0137ietami nenov\u0113r\u0161amo \u2013 dz\u012bv\u012bbu apdraudo\u0161us klimata kr\u012bzes saasin\u0101jumus, tai pat laik\u0101 sp\u0113jot dz\u012bvot pilnv\u0113rt\u012bgi, nevis esot emocion\u0101li izsme\u013co\u0161\u0101 satraukum\u0101 un apokalipses gaid\u0101s.\u00a0<\/p>\r\n

Lai ar\u012b Aniar\u0101<\/i>\u00a0apl\u016bkot\u0101s t\u0113mas par klimata kr\u012bzi ir \u012bpa\u0161i aktu\u0101las m\u016bsdien\u0101m, filmas st\u0101st\u0101 ietvertie notikumi pirmo reizi izskan\u0113ju\u0161i jau 1956. gad\u0101 \u2013 zviedru autora un Nobela pr\u0113mijas laure\u0101ta Harija Martinsona t\u0101da pat nosaukuma dzejol\u012b. Filmas notikumi liel\u0101 m\u0113r\u0101 balst\u012bti tie\u0161i Martinsona darb\u0101, ko filmas veidot\u0101ji v\u0113l\u0113ju\u0161ies iet\u0113rpt kino valod\u0101.<\/p>\r\n

Pateicoties Latvijas Dabas fonda, projekta \u201cGame On: Ne\u013causim klimata p\u0101rmai\u0146\u0101m uzvar\u0113t!\u201d<\/i> un Kult\u016bras ministrijas atbalstam, seanss b\u016bs pieejams bez maksas jebkuram interesentam gan tie\u0161saist\u0113, gan kl\u0101tien\u0113, iepriek\u0161 iz\u0146emot bi\u013ceti vai pieejas kodu. Filma ir pieejama pateicoties Zviedrijas v\u0113stniec\u012bbas R\u012bg\u0101 un Zviedru instit\u016bta atbalstam.<\/p>[:]","post_content_langs":{"en":true,"lv":true},"post_title_ml":"[:en]'Aniara' Screening With Conversation: Living in Times of Climate Change[:lv]\"Aniara\" seanss un saruna: dz\u012bve klimata p\u0101rmai\u0146u laik\u0101[:]","post_title_langs":{"en":true,"lv":true},"acf":{"horizontal_compr":{"ID":14750,"id":14750,"title":"Aniara 01","filename":"Aniara_1.jpg","filesize":248626,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/05\/Aniara_1.jpg","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/05\/Aniara_1.jpg","alt":"","author":"2","description":"","caption":"","name":"aniara_1","status":"inherit","uploaded_to":14749,"date":"2020-05-12 09:58:14","modified":"2020-10-07 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(en)"}],"audio_language":[{"value":"lv","label":"Latvian (lv)"}],"url":"","bilesu_servisa_id":"320637","date":"22","time":"19:00","end_date":"","time_end":"","event_post_title":"Previously","event_post_url":"https:\/\/rigaiff.lv\/en\/previously","event_parent_details":[]},{"type":"cinema","free":true,"closed":false,"venue":"online","subtitle_language":[{"value":"lv","label":"Latvian (lv)"},{"value":"en","label":"English (en)"}],"audio_language":[],"url":"","bilesu_servisa_id":"320647","date":"22","time":"19:00","end_date":"","time_end":"","event_post_title":"Previously","event_post_url":"https:\/\/rigaiff.lv\/en\/previously","event_parent_details":[]},{"type":"cinema","free":true,"closed":false,"venue":"valmiermuiza","subtitle_language":[{"value":"lv","label":"Latvian (lv)"},{"value":"en","label":"English (en)"}],"audio_language":[],"url":"","bilesu_servisa_id":"322764","date":"22","time":"19:00","end_date":"","time_end":"","event_post_title":"Previously","event_post_url":"https:\/\/rigaiff.lv\/en\/previously","event_parent_details":[]}],"custom_supporter_title":"Together with","supporter":[{"supporter_select":{"ID":17275,"post_author":"2","post_date":"2020-09-21 20:41:56","post_date_gmt":"2020-09-21 17:41:56","post_content":"","post_title":"Latvijas Dabas Fonds \u2013 30","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"latvijas-dabas-fonds-30","to_ping":"","pinged":"","post_modified":"2020-09-21 20:41:56","post_modified_gmt":"2020-09-21 17:41:56","post_content_filtered":"","post_parent":0,"guid":"https:\/\/rigaiff.lv\/?post_type=supporters&p=17275","menu_order":0,"post_type":"supporters","post_mime_type":"","comment_count":"0","filter":"raw","post_title_ml":"[:en]Latvijas Dabas Fonds \u2013 30[:]","post_title_langs":{"en":true},"acf":{"logo":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Latvijas-Dabas-Fonds-30-gadu-jubileja-Logo.svg","url":"https:\/\/www.ldf.lv"}},"width_(px)":"150"},{"supporter_select":{"ID":17278,"post_author":"2","post_date":"2020-09-21 20:56:51","post_date_gmt":"2020-09-21 17:56:51","post_content":"","post_title":"European Union \u2013 Game On","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"european-union-game-on","to_ping":"","pinged":"","post_modified":"2020-09-21 20:56:51","post_modified_gmt":"2020-09-21 17:56:51","post_content_filtered":"","post_parent":0,"guid":"https:\/\/rigaiff.lv\/?post_type=supporters&p=17278","menu_order":0,"post_type":"supporters","post_mime_type":"","comment_count":"0","filter":"raw","post_title_ml":"[:en]European Union \u2013 Game On[:]","post_title_langs":{"en":true},"acf":{"logo":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/European-Union-Game-On-logo-\u2013-black.svg","url":"https:\/\/climategame.eu"}},"width_(px)":"260"},{"supporter_select":{"ID":17281,"post_author":"2","post_date":"2020-09-21 22:20:30","post_date_gmt":"2020-09-21 19:20:30","post_content":"","post_title":"Ministry of Culture of the Republic of Latvia","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"kulturas-ministrija-latvija","to_ping":"","pinged":"","post_modified":"2020-09-21 22:20:30","post_modified_gmt":"2020-09-21 19:20:30","post_content_filtered":"","post_parent":0,"guid":"https:\/\/rigaiff.lv\/?post_type=supporters&p=17281","menu_order":0,"post_type":"supporters","post_mime_type":"","comment_count":"0","filter":"raw","post_title_ml":"[:en]Ministry of Culture of the Republic of Latvia[:lv]Kult\u016bras ministrija, Latvija[:]","post_title_langs":{"en":true,"lv":true},"acf":{"logo":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/09\/Kulturas-ministrijas-logo-\u2013-melns.svg","url":"https:\/\/www.km.gov.lv"}},"width_(px)":"160"}],"screening_parent_select":[14514],"jury_title":"","jury":false,"participants_title":"","participants":false,"additional_content":"","embed_title":"","embed_text":"","embed_code":"https:\/\/www.youtube.com\/watch?v=C2xafJnAzIE"}}},{"type":"internal","title":"","sub-title":"","url":"","image":false,"post":{"ID":17450,"post_author":"2","post_date":"2020-10-01 20:45:05","post_date_gmt":"2020-10-01 17:45:05","post_content":"

The Green Charter For Film Festivals is an initiative that calls for 2020 to be seen as the starting point for an ever-improving practice of organising more environmentally friendly festivals. Every film festival, regardless of its size, is invited to improve their environmental impact on its city and country.
\r\n
\r\nThe main goal is to create a platform that gathers information about practical environmentally friendly solutions for various stages of festival organisation; a platform where festival representatives can share their ideas, experiences and recommendations for service providers, etc. The Green Charter is not a call for strict guidelines on how to organise the \u201cgreenest\u201d festival; it is a community that helps each festival be more aware of its activities and their impact on the environment, and to commit to improving with each year.
\r\n
\r\nSeveral lectures and a discussion devoted to the Green Charter initiative will take place at RIGA IFF, during which both event organisers and filmmakers, as well as festival attendees, will be able to learn more about environmentally friendly filmmaking, festival organising and each person\u2019s individual responsibility in this time of climate change. The short lectures will be accompanied by case studies of international film festivals and various projects. In addition, the discussion, which is organised in partnership with the Latvian Fund for Nature, will draw attention to topical issues and help develop individual goals.
\r\n
\r\nThe event will take place online. If you have any questions, please contact Project Coordinator Paula Berzina: paula@rigaiff.lv<\/a>.<\/p>","post_title":"Green Charter for Film Festivals","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"green-charter-for-film-festivals","to_ping":"","pinged":"","post_modified":"2021-07-10 09:51:17","post_modified_gmt":"2021-07-10 06:51:17","post_content_filtered":"","post_parent":0,"guid":"https:\/\/rigaiff.lv\/?post_type=forum2020&p=17450","menu_order":0,"post_type":"forum2020","post_mime_type":"","comment_count":"0","filter":"raw","acf":{"title":"A call for an ever-improving practice of organising more environmentally friendly 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The Investment and Development Agency of Latvia (LIAA) is launching a new annual industry event in cooperation with RIGA IFF and TET - Magnetic Series, a pitching and networking event focused on the Baltic Sea Region and the Nordic countries.<\/p>\r\n

The inaugural event will take place on 16 October 2020 and will include two panel discussions and conversations on how to produce and acquire independent non-English language drama series. Both panel discussions will be moderated by UK-based Editor of Deadline<\/i> magazine, Tom Grater.\u00a0<\/p>\r\n

This will be the cornerstone to launch the annual Magnetic Series event, which will take off in earnest in 2021. It is intended that every year, participants and invited guests will be able to discover and learn about a selection of drama series projects that are looking for international co-production and financing partners in the Baltic Sea Region and the Nordic countries \u2013 Latvia, Lithuania, Estonia, Russia, Poland, Germany, Finland, Sweden, Norway, Denmark, Iceland and Greenland.<\/p>\r\n

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J\u016ble Roz\u012bte studied Film and Television Studies at the Freie Universit\u00e4t Berlin, and the University of Glasgow in Scotland. She has worked as a film programmer at festivals all over the world - the Tribeca Film Festival, the Stockholm Film Festival, Baltic Sea Docs in Riga and the New York Baltic Film Festival. In 2016, Roz\u012bte was honored to be on the jury of the Latvian National Film Awards, and participate in the pre-selection committee the following year.<\/p>\n","links":false}],"participants_title":"","participants":false,"vertical_compr":false,"horizontal_compr":{"ID":14617,"id":14617,"title":"rigaiff_forum_magneticseries_v2","filename":"rigaiff_forum_magneticseries_v2.jpg","filesize":527865,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/05\/rigaiff_forum_magneticseries_v2.jpg","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/05\/rigaiff_forum_magneticseries_v2.jpg","alt":"","author":"2","description":"","caption":"","name":"rigaiff_forum_magneticseries_v2","status":"inherit","uploaded_to":14759,"date":"2020-05-11 11:52:33","modified":"2020-06-30 15:16:17","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/rigaiff.lv\/wp-includes\/images\/media\/default.png","width":1600,"height":900,"sizes":{"thumbnail":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/05\/rigaiff_forum_magneticseries_v2-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/05\/rigaiff_forum_magneticseries_v2-250x141.jpg","medium-width":250,"medium-height":141,"medium_large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/05\/rigaiff_forum_magneticseries_v2-768x432.jpg","medium_large-width":768,"medium_large-height":432,"large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/05\/rigaiff_forum_magneticseries_v2-700x394.jpg","large-width":700,"large-height":394,"1536x1536":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/05\/rigaiff_forum_magneticseries_v2-1536x864.jpg","1536x1536-width":1536,"1536x1536-height":864,"2048x2048":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/05\/rigaiff_forum_magneticseries_v2.jpg","2048x2048-width":1600,"2048x2048-height":900,"large1200":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/05\/rigaiff_forum_magneticseries_v2.jpg","large1200-width":1200,"large1200-height":675,"large1800":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/05\/rigaiff_forum_magneticseries_v2.jpg","large1800-width":1600,"large1800-height":900,"small":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/05\/rigaiff_forum_magneticseries_v2-120x68.jpg","small-width":120,"small-height":68,"uncompressed":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/05\/rigaiff_forum_magneticseries_v2.jpg","uncompressed-width":1600,"uncompressed-height":900,"custom-size":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/05\/rigaiff_forum_magneticseries_v2-700x200.jpg","custom-size-width":700,"custom-size-height":200}},"copyright_compr":"","vertical_compr_lv":false,"horizontal_compr_lv":false,"buttons":false,"events":[17817,17820,17832,17839,17844,17846,17849],"title":"PITCHING AND NETWORKING EVENT FOCUSSED ON A BALTIC SEA REGION AND NORDIC COUNTRIES","embed_title":"","embed_text":"","embed_code":"https:\/\/youtu.be\/VaDRQoiRyLc"}}}]},{"title":"Conversations with filmmakers","card":[{"type":"internal","title":"","sub-title":"","url":"","image":false,"post":{"ID":16813,"post_author":"2","post_date":"2020-09-13 15:23:48","post_date_gmt":"2020-09-13 12:23:48","post_content":"

Gunhild Enger represents the new generation of Norwegian directors and has earned the attention of world film festivals. Her works are characterised by a distinctive aesthetic and rhythm, as well as robust self-irony mixed with the black humour of traditional cinema.<\/span><\/p>","post_title":"Persona","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"persona","to_ping":"","pinged":"","post_modified":"2020-10-20 16:40:54","post_modified_gmt":"2020-10-20 13:40:54","post_content_filtered":"","post_parent":0,"guid":"https:\/\/rigaiff.lv\/?post_type=screenings_2020&p=16813","menu_order":0,"post_type":"screenings_2020","post_mime_type":"","comment_count":"0","filter":"raw","post_content_ml":"[:en]

Gunhild Enger represents the new generation of Norwegian directors and has earned the attention of world film festivals. Her works are characterised by a distinctive aesthetic and rhythm, as well as robust self-irony mixed with the black humour of traditional cinema.<\/span><\/p>[:lv]

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RIGA IFF 2019 takes place from 17 to 27 October. The festival opens with a screening of the internationally acclaimed Latvian animated feature film \u201cAway\u201d (dir. Gints Zilbalodis), while \u201cNova Lituania\u201d (dir. Karolis Kaupinis, LT) winsthe Feature Film Competition.<\/p>\n

\u201cUncle Thomas, accounting for the days\u201d (dir. Regina Pessoa, CA\/PT\/FR) wins the SHORT RIGA International Competition, and is the first film selected by RIGA IFF to be the candidate for Best Short Film at the European Film Awards. The festival screens a total of 148 films.<\/p>\n

Events at the festival intended for the industry include hosting the Board of the European Film Academy, the first-ever Baltic Animation Meet-up, and the launch of a new cooperation with the Investment and Development Agency of Latvia (LIAA) by organising the Magnetic Latvia Film Conference.<\/p>\n","section":[{"title":"","card":[{"type":"external","title":"Programme Teaser","sub-title":"RIGA IFF 2019","url":"https:\/\/youtu.be\/esI9sA7OuHY","image":{"ID":13272,"id":13272,"title":"RIGA IFF 2019 dates visual EN","filename":"RIGA-IFF-2019-dates-visual-EN.jpg","filesize":89724,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2019\/10\/RIGA-IFF-2019-dates-visual-EN.jpg","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2019\/10\/RIGA-IFF-2019-dates-visual-EN.jpg","alt":"","author":"2","description":"","caption":"","name":"riga-iff-2019-dates-visual-en","status":"inherit","uploaded_to":19072,"date":"2019-10-07 13:35:41","modified":"2020-12-08 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RIGA IFF 2018 takes place from 18 to 31 October. Opening film \u2013 \u201cThe Mover\u201d (dir. D\u0101vis S\u012bmanis, prod. Mistrus Media, LV). RIGA IFF Award goes to \u201cCore of the World\u201d (dir. Natalya Meshchaninova, RU\/LT).<\/p>\n

A remarkable achievement for the programme section SHORT RIGA \u2013 the European Film Academy has invited RIGA IFF to join the special circle of those festivals that select the candidate for Best Short Film at the European Film Awards. 6 Latvian films are premiered \u2013 more than ever before in the history of the festival. The audience highly praises ARCHITECT’S CUT \u2013 the new programme section devoted to architecture and architects.<\/p>\n","section":[{"title":"","card":[{"type":"external","title":"Festival Teaser","sub-title":"RIGA IFF 2018","url":"https:\/\/youtu.be\/hyh85yIvCyE","image":{"ID":9059,"id":9059,"title":"Programmas Izzinosana Og-Image","filename":"Programmas-Izzinosana-Og-Image.jpg","filesize":129671,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2018\/10\/Programmas-Izzinosana-Og-Image.jpg","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2018\/10\/Programmas-Izzinosana-Og-Image.jpg","alt":"","author":"2","description":"","caption":"","name":"programmas-izzinosana-og-image","status":"inherit","uploaded_to":19072,"date":"2018-10-15 18:39:49","modified":"2020-12-08 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RIGA IFF 2017 takes place from 7 to 17 September. The Opening event features both film and music \u2013 the composer Platons Buravickis musically enlivens a cinematic story “Sound We See: Riga” shot on 16mm film. This project was initiated and conducted by the founders of Echo Park Film Center based in Los Angeles and elaborated by 24 inhabitants of Riga: artists, writers, photographers, architects, and designers.\u00a0The creative laboratory Baltic Film Talent Lab focuses on film score and its composing process.<\/p>\n

RIGA IFF Award goes to \u201cNovember\u201d (dir. Rainer Sarnet, prod. Homeless Bob Production\/Opus Film\/PRPL, EST) The festival presents 120 films in 9 programme sections and 30 events.<\/p>\n","section":[{"title":"","card":[{"type":"external","title":"Festival Teaser","sub-title":"RIGA IFF 2017","url":"https:\/\/youtu.be\/OBHMtFv59j4","image":{"ID":19171,"id":19171,"title":"festival_pre","filename":"festival_pre.jpg","filesize":447995,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/12\/festival_pre.jpg","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/12\/festival_pre.jpg","alt":"","author":"2","description":"","caption":"","name":"festival_pre","status":"inherit","uploaded_to":19072,"date":"2020-12-08 16:47:32","modified":"2020-12-08 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RIGA IFF 2016 takes place from 13 to 23 October. Opening film \u2013 the premiere of documentary \u201cClose Relations\u201d (dir. Vitaly Mansky, prod. Vertov, Ego Media, Saxonia Entertainment, Baltic Film Production, LV\/DE\/EST\/UA) The Industry events section of the festival expands \u2013 an international film market RIGA IFF FORUM with a focus on European film projects for children’s audience is launched.<\/p>\n

The RIGA IFF Award goes to \u201cExiled\u201c (dir. D\u0101vis S\u012bmanis, prod. Locomotive Productions, Studio Uljana Kim, LV\/LT). The festival presents 100 films in 8 programme sections and 20 events.<\/p>\n","section":[{"title":"","card":[{"type":"external","title":"Festival Teaser","sub-title":"RIGA IFF 2016","url":"https:\/\/youtu.be\/WgSEKdhc2D8","image":{"ID":19184,"id":19184,"title":"maxresdefault","filename":"maxresdefault.jpg","filesize":117585,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/12\/maxresdefault.jpg","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/12\/maxresdefault.jpg","alt":"","author":"2","description":"","caption":"","name":"maxresdefault-4","status":"inherit","uploaded_to":19072,"date":"2020-12-08 18:00:51","modified":"2020-12-08 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Waiting for the Festival","sub-title":"RIGA IFF 2016","url":"https:\/\/youtu.be\/9gUhNktYKXo","image":{"ID":19177,"id":19177,"title":"videolog_MakingOf","filename":"videolog_MakingOf.png","filesize":572070,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/12\/videolog_MakingOf.png","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/12\/videolog_MakingOf.png","alt":"","author":"2","description":"","caption":"","name":"videolog_makingof","status":"inherit","uploaded_to":19072,"date":"2020-12-08 17:13:25","modified":"2020-12-08 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RIGA IFF 2015 takes place from 15 to 25 October. Opening film \u2013 the premiere of documentary \u201cDouble Aliens\u201d (dir. U\u0123is Olte, prod. VFS Films, LV\/GE). RIGA IFF Feature Film Competition is launched. Its first winner \u2013 the documentary \u201cThe Event\u201d (dir. Sergei Loznitsa, prod. Atoms & Void, NL\/BE).<\/p>\n

The exhibition \u201cIn Search of Cinemas Lost\u201d offers a unique opportunity to find out how the cinema buildings have changed the features of Riga. The festival presents 93 films in 8 programme sections and close to 20 events.<\/p>\n","section":[{"title":"","card":[{"type":"external","title":"Festival Recap","sub-title":"RIGA IFF 2015","url":"https:\/\/youtu.be\/iw3YnG_oKos","image":{"ID":19185,"id":19185,"title":"maxresdefault-1","filename":"maxresdefault-1.jpg","filesize":293517,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/12\/maxresdefault-1.jpg","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/12\/maxresdefault-1.jpg","alt":"","author":"2","description":"","caption":"","name":"maxresdefault-1","status":"inherit","uploaded_to":19072,"date":"2020-12-08 18:02:43","modified":"2020-12-08 18:02:43","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/rigaiff.lv\/wp-includes\/images\/media\/default.png","width":1280,"height":720,"sizes":{"thumbnail":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/12\/maxresdefault-1-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/12\/maxresdefault-1-250x141.jpg","medium-width":250,"medium-height":141,"medium_large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/12\/maxresdefault-1-768x432.jpg","medium_large-width":768,"medium_large-height":432,"large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/12\/maxresdefault-1-700x394.jpg","large-width":700,"large-height":394,"1536x1536":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/12\/maxresdefault-1.jpg","1536x1536-width":1280,"1536x1536-height":720,"2048x2048":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/12\/maxresdefault-1.jpg","2048x2048-width":1280,"2048x2048-height":720,"large1200":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/12\/maxresdefault-1.jpg","large1200-width":1200,"large1200-height":675,"large1800":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/12\/maxresdefault-1.jpg","large1800-width":1280,"large1800-height":720,"small":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/12\/maxresdefault-1-120x68.jpg","small-width":120,"small-height":68,"uncompressed":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/12\/maxresdefault-1.jpg","uncompressed-width":1280,"uncompressed-height":720,"custom-size":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2020\/12\/maxresdefault-1-700x200.jpg","custom-size-width":700,"custom-size-height":200}},"post":false}]}]},{"acf_fc_layout":"years","year_#":"2014","legacy_text":"

RIGA IFF 2014 takes place from 2 to 12 December. Opening film \u2013 the documentary \u201cBeyond the Fear\u201d (dir. Herz Frank, Maria Kravchenko, prod. Ego Media, LV). The National Film Festival \u201cLielais Kristaps\u201d is held within the framework of RIGA IFF. During the awards ceremony, the Lifetime Achievement Award is bestowed to film director and cinematographer Ivars Seleckis and editor Maija Selecka by the honorary guest of RIGA IFF \u2013 Norwegian actress and director Liv Ullmann. The festival presents 127 films in 10 programme sections.<\/p>\n","section":false}],"page_title":"Previously in RIGA IFF\u2026"},"_links":{"self":[{"href":"https:\/\/rigaiff.lv\/en\/wp-json\/wp\/v2\/pages\/19072","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rigaiff.lv\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/rigaiff.lv\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/rigaiff.lv\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rigaiff.lv\/en\/wp-json\/wp\/v2\/comments?post=19072"}],"version-history":[{"count":0,"href":"https:\/\/rigaiff.lv\/en\/wp-json\/wp\/v2\/pages\/19072\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rigaiff.lv\/en\/wp-json\/wp\/v2\/media\/23643"}],"wp:attachment":[{"href":"https:\/\/rigaiff.lv\/en\/wp-json\/wp\/v2\/media?parent=19072"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}