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The Riga International Film Festival (RIGA IFF) will bring together local and international audiences for the ninth time this year. RIGA IFF takes place between 13 and 23 October and is one of the most important film events in the Baltic Sea region. The broad programme of more than 100 local, European, and international films will screen both in person and online. The full festival programme, which is divided into 12 sections and 6 competitions, is now available on the festival website: rigaiff.lv<\/a>.<\/p>\n “RIGA IFF embodies not just a film selection that showcases the most recent works by prominent directors, scenes with famous actors, or gems from the major streaming platforms. The structural endeavours of our festival are more ambitious. They encompass a profound shaping of form and content, thoughtful film curation and professional performance of people that contribute with countless ideals and long honed skills. All of this is aimed to serve our audience \u2013 keen and inquisitive minds remaining open to ever-new challenging reflections and ready to immerse themselves in the vast mosaic of contemporary cinema offered by us every autumn,” says Festival Director Liene Treimane.\u00a0<\/p>\n The festival will open on 13 October with My Love Affair with Marriage<\/i> <\/a>by US-based Latvian animation filmmaker Signe Baumane. This will be the film\u2019s national premiere, having previously had its world premiere at the Tribeca Film Festival and winning awards at the Annecy International Animation Film Festival. The filmmaker will attend the opening screening in person.<\/p>\n Words by film director and writer Pier Paolo Pasolini, who is the focus of the RIGA IFF retrospective programme this year, act as the festival\u2019s slogan: “The sweet chaos of daily good and evil”. The Latvian translation of the author’s novel Ragazzi di vita<\/i> (Accattone<\/i>) will be launched<\/a> at the festival. The programme of public events is also complemented by two discussions in the FOCUS ON UKRAINE<\/a> section dedicated to contemporary Ukrainian cinema: “How To Decolonise the Media: Critical Cultural Journalism in Eastern Europe”<\/a> and “Westernisation and Eastern European Cinema”<\/a>.<\/p>\n “From Greenland to Paraguay, from 217 seconds to 165 minutes \u2013 that’s how broad the boundaries of the festival\u2019s cinematic territory are. We’ll be able to encounter both the names of the directors who are currently most noteworthy as well as newcomers whose debut films will be celebrated at the festival. The films in the programme once again surprise with their ability to be ahead of the times, to act as a warning or, on the contrary, to reassure; disappearing tribes in South America, the war in Ukraine, melting glaciers in Greenland, architects determined to transform monuments, and a lazy python living in an abandoned nuclear power plant. Over the course of eleven days, more than a hundred films will inject a unique cocktail of emotions into the slowly cooling October evenings,” says Sonora Broka, the festival\u2019s Artistic Director.<\/p>\n This year’s festival will see a number of international and national premieres, both in the HOME MADE<\/a> section dedicated to cinema from the Baltic region, and in the festival’s biggest event, the RIGA IFF Feature Film Competition<\/a>, where entries compete for the festival’s main prize. Both the National and International Short Film Competitions<\/a> contain films that experiment, explore form, and provide examples of the latest forms of cinematic language. The winning films from these sections are put forward as candidates to the European Short Film Award. Finally, there is the Baltic Music Video Competition<\/a> that brings together musicians, filmmakers, and audiences to a single screening.<\/p>\n The FESTIVAL SELECTION<\/a> section is a showcase of brilliant discoveries, and ZEITGEIST DEUTSCHLAND<\/a> includes both a meditation on the work of the iconic filmmaker Rainer Werner Fassbinder by Francois Ozon as well as outstanding works of contemporary German cinema. As usual, the NORDIC HIGHLIGHTS<\/a> section focuses on the best films from Nordic screens, while the ARCHITECT’S CUT<\/a> double screening focuses on the urban environment as a character, rather than a backdrop.<\/p>\n