Aniko Imre 2005. gad\u0101 rakst\u012bja, ka \u201catgrie\u0161an\u0101s Eirop\u0101\u201d ir k\u013cuvusi par neaizst\u0101jamu saukli Austrumeiropas politik\u0101 un t\u0101s retorik\u0101. Ung\u0101ru kino zin\u0101tnieces paustais \u0161obr\u012bd ieguvis citas aprises un konot\u0101cijas, jo \u012bpa\u0161i laik\u0101, kad Ukrainas tauta piedz\u012bvo karu Eiropas vidien\u0113 un Austrumeiropas valstis un to kult\u016brtelpas tiecas dekoloniz\u0113t savu tagadni un p\u0101rv\u0113rt\u0113t pag\u0101tni.\u00a0<\/p>\n
Imre viesosies R\u012bg\u0101, lai sniegtu lekciju par transnacion\u0101lo kino un t\u0101 tap\u0161anu Austrumeiropas valst\u012bs. \u0160\u012b re\u0123iona galvaspils\u0113tas p\u0113d\u0113jo desmitga\u017eu laik\u0101 ir k\u013cuvu\u0161as par glob\u0101l\u0101 audiovizu\u0101l\u0101 satura ra\u017eo\u0161anas centriem, starptautisk\u0101 satura veidot\u0101jiem izmantojot t\u0101dus noz\u012bm\u012bgus finansi\u0101los stimulus k\u0101 augstas nodok\u013cu atlaides, kvalific\u0113tu un l\u0113tu darbasp\u0113ku, k\u0101 ar\u012b atvieglin\u0101jumus darba un vides noteikumos. Audiovizu\u0101lo mediju nozares parasti tiek skat\u012btas \u201ct\u012bri\u201d ekonomiski, kur darbasp\u0113ka ekspluat\u0101cija un perif\u0113rija tiek uzskat\u012bta par depolitiz\u0113tu ekonomisko apmai\u0146u, kas sniedz labumu gan valst\u012bm, gan\u00a0lielajiem uz\u0146\u0113mumiem.<\/p>\n
.<\/p>\n
Viens no iemesliem \u0161\u0101dai situ\u0101cijai ir tas, ka Austrumeiropas pakalpojumu nozar\u0113m ir galven\u0101 loma komerci\u0101laj\u0101 nacion\u0101lism\u0101 vai valsts z\u012bmola veido\u0161an\u0101. Da\u017eos gad\u012bjumos centraliz\u0113ta un nom\u0101co\u0161a iek\u0161zemes audiovizu\u0101lo mediju vide var ne tikai past\u0101v\u0113t l\u012bdz\u0101s valsts finans\u0113tai infrastrukt\u016brai, kas izveidota, lai rad\u012btu p\u0101rrobe\u017eu izklaidi, bet ar\u012b t\u0101 var aizst\u0101t politisko l\u012bdzdal\u012bbu iek\u0161zem\u0113 un apliecin\u0101t nacion\u0101lo valstu dz\u012bvotsp\u0113ju k\u0101 modernu un demokr\u0101tisku.\u00a0<\/p>\n
Lekcij\u0101 Imre izmantos p\u0113t\u012bjumus par platformu imperi\u0101lismu un kritisko mediju industriju ar kultur\u0101lisma un postkoloni\u0101l\u0101m pieej\u0101m, lai \u201ckomerci\u0101l\u0101 nacion\u0101lisma\u201d m\u0101rketing\u0101 koncentr\u0113tos uz diviem galvenajiem faktoriem. Pirmk\u0101rt, film\u0113\u0161anas vietu kl\u0101stu \u2013 Austrumeiropas vide un daba, tostarp pils\u0113tvide, pilis, kalni un upes, parasti tiek izmantota, lai att\u0113lotu citas vietas. Otrk\u0101rt, tipisk\u0101kajiem \u017eanriem, uz ko vedina film\u0113\u0161anas vietas \u2013 jo \u012bpa\u0161i spiegu dr\u0101mas, \u0161ausmu un fant\u0101zijas kinodarbi.<\/p>\n
Lekcija tapusi ar Latvijas Kult\u016bras akad\u0113mijas un RIGA IFF finansi\u0101lu atbalstu.<\/p>\n
Dal\u012bba lekcij\u0101 \u2013 bez maksas un iepriek\u0161\u0113jas pieteik\u0161an\u0101s
\nLekcijas\u00a0 valoda \u2013 ang\u013cu, bez tulkojuma latvie\u0161u valod\u0101<\/p>\n","categories":null,"tags":null,"featured_image":null,"featured_image_id":null,"vertical":null,"horizontal":null,"vertical_compr":false,"horizontal_compr":false,"overlay_image":{"ID":27899,"id":27899,"title":"0919_RIGAIFF_EEC Lecture - visual TXT EN","filename":"0919_RIGAIFF_EEC-Lecture-visual-TXT-EN.png","filesize":51044,"url":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2022\/09\/0919_RIGAIFF_EEC-Lecture-visual-TXT-EN.png","link":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2022\/09\/0919_RIGAIFF_EEC-Lecture-visual-TXT-EN.png","alt":"","author":"21","description":"","caption":"","name":"9e20c66f255d46d8bb1d4b5993128646","status":"inherit","uploaded_to":27895,"date":"2022-09-19 07:34:10","modified":"2022-09-19 07:34:10","menu_order":0,"mime_type":"image\/png","type":"image","subtype":"png","icon":"https:\/\/rigaiff.lv\/wp-includes\/images\/media\/default.png","width":1920,"height":1080,"sizes":{"thumbnail":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2022\/09\/0919_RIGAIFF_EEC-Lecture-visual-TXT-EN-150x150.png","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2022\/09\/0919_RIGAIFF_EEC-Lecture-visual-TXT-EN-250x141.png","medium-width":250,"medium-height":141,"medium_large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2022\/09\/0919_RIGAIFF_EEC-Lecture-visual-TXT-EN-768x432.png","medium_large-width":768,"medium_large-height":432,"large":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2022\/09\/0919_RIGAIFF_EEC-Lecture-visual-TXT-EN-1500x844.png","large-width":900,"large-height":506,"1536x1536":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2022\/09\/0919_RIGAIFF_EEC-Lecture-visual-TXT-EN-1536x864.png","1536x1536-width":1536,"1536x1536-height":864,"2048x2048":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2022\/09\/0919_RIGAIFF_EEC-Lecture-visual-TXT-EN.png","2048x2048-width":1920,"2048x2048-height":1080,"large1200":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2022\/09\/0919_RIGAIFF_EEC-Lecture-visual-TXT-EN-1200x675.png","large1200-width":1200,"large1200-height":675,"large1800":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2022\/09\/0919_RIGAIFF_EEC-Lecture-visual-TXT-EN-1800x1013.png","large1800-width":1800,"large1800-height":1013,"small":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2022\/09\/0919_RIGAIFF_EEC-Lecture-visual-TXT-EN-120x68.png","small-width":120,"small-height":68,"uncompressed":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2022\/09\/0919_RIGAIFF_EEC-Lecture-visual-TXT-EN.png","uncompressed-width":1920,"uncompressed-height":1080,"custom-size":"https:\/\/rigaiff.lv\/wp-content\/uploads\/2022\/09\/0919_RIGAIFF_EEC-Lecture-visual-TXT-EN-700x200.png","custom-size-width":700,"custom-size-height":200},"acf_attachment":false},"overlay_image_svg_lv":{"ID":27900,"id":27900,"title":"0919_RIGAIFF_EEC Lecture - 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Aniko Imre ir Unga\u0304rija\u0304 dzimusi starptautiski respekte\u0304ta pe\u0304tniece, s\u030cobri\u0304d Dienvidkalifornijas Universita\u0304tes kino ma\u0304kslas profesore, ka\u0304 ari\u0304 vaira\u0304ku monogra\u0304fiju autore un li\u0304dzautore. To vid\u016b izcel\u0327ami darbi \u201cAustrumeiropas kinom\u0101ksla\u201d (East European Cinemas<\/i>, 2005) un \u201cPostsocia\u0304listu identita\u0304tes\u201d (Post-Socialist Identities<\/i>, 2009). Zina\u0304tnieces pe\u0304tnieciska\u0304s te\u0304mas ietver postsocia\u0304lismu, Eiropas kultu\u0304ras telpas medijus, kritisko feminismu, rases un naciona\u0304lisma pe\u0304tnieci\u0304bu, postkolonia\u0304lismu, televi\u0304zijas un kino ve\u0304sturi, ka\u0304 ari\u0304 daudzas citas.<\/p>\n","links":false}],"participants_title":"","participants":false,"link":"https:\/\/rigaiff.lv\/lv\/event\/semi-peripheral-service-media-industries\/","parent_select":[25690],"additional_content":null,"embed_title":"","embed_text":"","embed_code":"","categories_slugs":"","logo_on_image_text":null,"logo_on_image_image":null,"logo_on_image_color":null}