<\/p>\n
Sestdien, 14. oktobr\u012b, R\u012bgas Starptautisk\u0101 kino festiv\u0101la laik\u0101 kult\u016bras telp\u0101 \u201cHanzas perons\u201d gaid\u0101ms \u012bpa\u0161s muzik\u0101ls piedz\u012bvojums \u2013 ar koncertu galvaspils\u0113t\u0101 viesosies m\u0101kslinieks, m\u016bzi\u0137is un kino m\u016bzikas autors Alekss \u017dangs Hungtajs (Alex Zhang Hungtai) no Kan\u0101das, un nakts gait\u0101 par dej\u0101m g\u0101d\u0101s m\u016bzi\u0137i no Bristoles dueta “Giant Swan”, iej\u016btoties d\u012bd\u017eeju lom\u0101s.<\/p>\n
Pirmaj\u0101 pietuvin\u0101jum\u0101 m\u016bzi\u0137a Aleksa \u017danga Hungtaja v\u0101rds var likt klaus\u012bt\u0101jiem piepras\u012bt koment\u0101rus, t\u0101p\u0113c neliel\u0101 teiksma par vi\u0146u un vi\u0146a rado\u0161o darb\u012bbu var\u0113tu ies\u0101kties apm\u0113ram \u0161\u0101di un \u0101tri vien daudz ko paskaidrotu.<\/p>\n
Ap 2005. gadu klaus\u012bt\u0101ji s\u0101ka iepaz\u012bt m\u0101kslinieku ar skatuves v\u0101rdu “Dirty Beaches”, kuram p\u0113c vair\u0101kiem, p\u0101rsvar\u0101 instrument\u0101liem albumiem da\u017e\u0101d\u0101s kase\u0161u izdevniec\u012bb\u0101s bija j\u0101n\u0101k klaj\u0101 ar ierakstu “Badlands”, lai saj\u016bsmin\u0101tu klaus\u012bt\u0101jus un ieintri\u0123\u0113tu kriti\u0137us. Var piekrist tiem, kas apgalvoja, ka tobr\u012bd \u2013 pag\u0101ju\u0161\u0101s desmitgades s\u0101kum\u0101 \u2013 nekas l\u012bdz\u012bgs nebija dzird\u0113ts. Lo-fi est\u0113tik\u0101 ierakst\u012bti hipnotiz\u0113jo\u0161i un, \u0161\u0137iet, nebeidzami ritmi, spoc\u012bgi greizas elektrisk\u0101s \u0123it\u0101ras ska\u0146as un Aleksa balss, k\u0101 no nez un caur kurieni aus\u012bs un apzi\u0146\u0101 iepl\u016bsto\u0161a d\u016bmaka, kur\u0101 t\u0101 vien gribas iz\u0161\u0137irt Elvisa Preslija siluetu. \u0160im sekoja v\u0113l divi, viens no otra tik at\u0161\u0137ir\u012bgie studijas albumi “Drifters\/ Love Is The Devil” un “Stateless”, kuri katrs atrada savus cien\u012bt\u0101jus, un Alekss pazi\u0146oja par \u201cprojekta\u201d galu. Vi\u0146\u0161 atgriez\u0101s pie sava \u012bst\u0101, piedzimstot Taiv\u0101n\u0101, vec\u0101ku dot\u0101 v\u0101rda (tiesa, \u0161ur un tur v\u0113l m\u012bklaini d\u0113v\u0113joties par “Last Lizard”). Lai ar\u012b pag\u0101ju\u0161i, \u0161\u0137iet, se\u0161i gadi, kop\u0161 kulta seri\u0101la \u201cTvinp\u012bka\u201d jeb Twin Peaks<\/em> otr\u0101s sezonas klaj\u0101 n\u0101k\u0161anas, t\u0101 Deivida Lin\u010da (David Lynch<\/em>) kars\u0113jiem joproj\u0101m ir spilgt\u0101 atmi\u0146\u0101. Daudzi to skat\u0101s atkal un atkal, un skatoties jau zina, ka teju katra s\u0113rija beidzas ar koncertu b\u0101r\u0101 \u2018Bang Bang\u2019. Iesp\u0113jams, z\u012bm\u012bg\u0101kais no tiem ir grupas \u2018Trouble\u2019 uzn\u0101ciens piekt\u0101s s\u0113rijas izska\u0146\u0101, ilggad\u0113jam Lin\u010da filmu m\u016bzikas \u201cuzraugam\u201d D\u012bnam H\u0113rlijam (Dean Hurley<\/em>), re\u017eisora d\u0113lam Railijam Lin\u010dam (Riley Lynch<\/em>) un saksofonistam Aleksam \u017dangam Hungtajam atska\u0146ojot “Snake Eyes”!<\/p>\n Lai ar\u012b dal\u012bba da\u017e\u0101dos m\u0101kslas kino un m\u016bzikas video projektos Aleksa rado\u0161aj\u0101 darb\u012bb\u0101 bijusi paral\u0113la l\u012bnija jau ilgsto\u0161i, tie\u0161i p\u0113d\u0113jo gadu piev\u0113r\u0161an\u0101s liel\u0101koties kinematogr\u0101fam ir k\u013cuvusi ne tikai par m\u0101kslinieka galveno nodarbi, bet ar\u012b nesusi pan\u0101kumus. Aizvad\u012bt\u0101 gada viena no intri\u0123\u0113jo\u0161\u0101kaj\u0101m Eiropas film\u0101m \u201cDievzeme<\/a>\u201d (Godland<\/em>, re\u017eisors un scen\u0101rija autors Hl\u012bnurs Paulmasons (Hlynur P\u00e1lmason<\/em>)) tika izr\u0101d\u012bta gan Kannu kinofestiv\u0101l\u0101, gan citos, atce\u013coja uz R\u012bgu un beigu beig\u0101s ar\u012b uzvar\u0113ja 2022. gada RIGA IFF Pilnmetr\u0101\u017eas filmu konkurs\u0101. Alekss \u017dangs Hungtajs koncert\u0113 reti, t\u0101p\u0113c vi\u0146a vieso\u0161an\u0101s R\u012bg\u0101 \u0161\u012b gada festiv\u0101la ietvaros ir jo \u012bpa\u0161a.<\/p>\n “Giant Swan” ir b\u0113rn\u012bbas draugu Robina Stjuarta (Robin Stewart<\/em>) un Harija Raita (Harry Wright<\/em>) no Bristoles elektronisk\u0101s m\u016bzikas duets jeb \u201cener\u0123iskas, agres\u012bvas deju m\u016bzikas, tr\u012bco\u0161u basu un hipnotiz\u0113jo\u0161a elektroniska trok\u0161\u0146a smeldz\u012bga laul\u012bba\u201d. \u017durn\u0101ls “Wire” ir v\u0113l aspr\u0101t\u012bg\u0101ks, sakot, ka Robs un Harijs ir \u201cdivi jauni panki, kuri reiva kodu uzlauzu\u0161i negad\u012bjuma p\u0113c un nu vienk\u0101r\u0161i to izbauda\u201d. Izbauda ne tikai t\u012bra prieka, sviedru, deju un aizmir\u0161an\u0101s l\u012bdz r\u012bta gaismai naktis, sp\u0113l\u0113jot koncertus un d\u012bd\u017eejojot, par ko kl\u0101teso\u0161ie p\u0101rliecin\u0101sies 14. oktobra nakt\u012b \u201cHanzas peron\u0101\u201d, bet ar\u012b to, ka vi\u0146u m\u016bzika tiek paman\u012bta ar\u012b \u0101rpus klubu d\u016bmakain\u0101s tumsas un nom\u012bd\u012bt\u0101m p\u013cav\u0101m festiv\u0101los. \u0160\u012b gada RIGA IFF sada\u013c\u0101 “Festival Selection” iek\u013cauta ar\u012b re\u017eisores D\u017eoannas Hogas (Joanna Hogg) Ven\u0113cijas kinofestiv\u0101l\u0101 pirmizr\u0101d\u012btais darbs \u201cM\u016b\u017e\u012bg\u0101 meita<\/a>\u201d jeb Eternal Daughter<\/em> ar Tildu Svintoni (Tilda Swinton) galvenaj\u0101 lom\u0101, kuras ska\u0146u celi\u0146\u0101 dzirdama ar\u012b \u2018Giant Swan\u2019 m\u016bzika.<\/p>\n