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t\u0101 apmekl\u0113t\u0101ji b\u016bs starp pirmajiem pasaul\u0113, kas uz liel\u0101 ekr\u0101na pieredz\u0113s nule digit\u0101li restaur\u0113to re\u017eisora Vima Vendersa darbu \u201c<\/b><a href=\"http:\/\/rigaiff.lv\/films-2024\/parize-teksasa\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/rigaiff.lv\/films-2024\/parize-teksasa&amp;source=gmail&amp;ust=1727181908848000&amp;usg=AOvVaw0IsicxPbGYm4POyvM5yXDf\"><b>Par\u012bze, Teksasa<\/b><\/a><b>\u201d (<\/b><i><b>Paris, Texas<\/b><\/i><b>, 1984). Ar ce\u013ca filmas apak\u0161\u017eanra zelta etalona seansu 19. oktobr\u012b tiks atkl\u0101ta sada\u013ca\u00a0<\/b><a href=\"http:\/\/rigaiff.lv\/programme-2024\/zeitgeist-deutschland\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/rigaiff.lv\/programme-2024\/zeitgeist-deutschland&amp;source=gmail&amp;ust=1727181908848000&amp;usg=AOvVaw03W24A40VoPMQ9JvoE1F1W\"><b>ZEITGEIST DEUTSCHLAND<\/b><\/a><b>, kas veidota sadarb\u012bb\u0101 ar G\u0113tes instit\u016btu R\u012bg\u0101. Bi\u013cetes uz seansu iesp\u0113jams ieg\u0101d\u0101ties festiv\u0101la m\u0101jaslap\u0101 (<\/b><a href=\"http:\/\/rigaiff.lv\/\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/rigaiff.lv&amp;source=gmail&amp;ust=1727181908848000&amp;usg=AOvVaw3hraXOLn9MBJKJO0s3JlUp\"><b>rigaiff.lv<\/b><\/a><b>) un \u201cBi\u013ce\u0161u serviss\u201d tirdzniec\u012bbas viet\u0101s.<\/b><\/p>\n<blockquote>\n<p><em>&#8220;\u0160odien t\u0101 ir cita filma, lai gan nekas nav main\u012bjies. Es tagad to redzu cit\u0101di. Un man pat\u012bk tas, ko redzu. Bet t\u0101 noteikti at\u0161\u0137iras no filmas, ko redz\u0113ju 1984. gad\u0101. M\u0113s nekad l\u012bdz \u0161im v\u0113l neesam biju\u0161i tik tuvu uz lentes notvertajam.\u201d<\/em><\/p>\n<\/blockquote>\n<p>T\u0101 intervij\u0101 ar Vima Vendersa fondu re\u017eisors apraksta filmu \u201cPar\u012bze, Teksasa\u201d, kas savu pirmizr\u0101di piedz\u012bvoja Kannu kinofestiv\u0101la galvenaj\u0101 konkurs\u0101 1984. gad\u0101. Sa\u0146\u0113musi vair\u0101kas presti\u017eas kino pasaules godalgas, tostarp \u201cZelta palmas zaru\u201d, Britu Kino un telev\u012bzijas m\u0101kslas akad\u0113mijas kino balvu (BAFTA) un citas, \u201cPar\u012bze, Teksasa\u201d uzskat\u0101ma par Vendersa paz\u012bstam\u0101ko, atz\u012bt\u0101ko un visvair\u0101k cit\u0113to kinodarbu. \u0160aj\u0101 pavasar\u012b, 40 gadus p\u0113c pirmizr\u0101des, kvintesenci\u0101l\u0101 ce\u013ca filma, kas iemantojusi kulta statusu kino skat\u012bt\u0101ju aprind\u0101s, atgriez\u0101s Kann\u0101s jaun\u0101 4K digit\u0101l\u0101s restaur\u0101cijas gaism\u0101.<\/p>\n<p><div class=\"responsive-container\"><iframe loading=\"lazy\" title=\"PARIS, TEXAS Trailer (4K Restoration) | RIGA IFF 2024\" width=\"1799\" height=\"1012\" src=\"https:\/\/www.youtube.com\/embed\/0bcXNF8OCf8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/p>\n<p>Venderss, viens no spilgt\u0101kajiem jaun\u0101 v\u0101cu kino kust\u012bbas p\u0101rst\u0101vjiem, karjeras s\u0101kotn\u0113 aizraujoties ar Amerikas mitolo\u0123iju un kino veido\u0161anas trad\u012bcij\u0101m, ar \u0161o cilv\u0113ka pa\u0161apzin\u0101\u0161an\u0101s odiseju sasniedz m\u0101ksliniecisko un emocion\u0101lo pilnbriedu. Mijoties vizu\u0101li iespaid\u012bgajiem, operatora Robija Millera rad\u012btajiem kadriem un hipnotiskajam Raja K\u016bdera slaid\u0123it\u0101ras skan\u0113jumam, atkl\u0101jas dramaturga Sema \u0160eparda scen\u0101rijs par p\u0101rmai\u0146u, v\u0101rdu un klusuma noz\u012bmi. Savuk\u0101rt galvenaj\u0101s \u2013 Trevisa un D\u017eeinas \u2013 lom\u0101s satiekas filigr\u0101nais, Lin\u010da iecien\u012btais aktieris Harijs D\u012bns Stentons un magnetiz\u0113jo\u0161\u0101 Nastasja Kinski, kuras t\u0113ls roz\u0101 angoras d\u017eemper\u012b ir k\u013cuvis par veselu kino cit\u0113jumu.<\/p>\n<p>L\u012bdz\u0101s \u201cPar\u012bzei, Teksasai\u201d sada\u013cas ZEITGEIST DEUTSCHLAND programm\u0101 iek\u013cauts ar\u012b \u012bpa\u0161s\u00a0<a href=\"https:\/\/rigaiff.lv\/lv\/screenings-2024\/vima-vendersa-isfilmu-izlase\/\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/rigaiff.lv\/lv\/screenings-2024\/vima-vendersa-isfilmu-izlase\/&amp;source=gmail&amp;ust=1727181908848000&amp;usg=AOvVaw0iKUdUMNHovXpz6-BDRxsu\">Vendersa \u012bsfilmu seanss<\/a>. \u010cetras izmekl\u0113tas miniat\u016bras aptver laiku no 1967. l\u012bdz 1982. gadam, kad Vendersa darbi bija \u0161\u0137ietami par neordin\u0101ru lielajam ekr\u0101nam un par v\u0113rien\u012bgu laikmet\u012bg\u0101s m\u0101kslas alt\u0101riem. \u013baujot tuv\u0101k iepaz\u012bt autora tic\u012bbu eksperimentiem un uzburot nepieradin\u0101ta m\u0101kslinieka portretu jaun\u012bb\u0101, att\u0113lu alter\u0101cijas un to attiec\u012bbas ar kr\u0101su un laiku mijas ar p\u0101rdom\u0101m par kino veido\u0161anas s\u0101p\u0113m un \u0161\u012b m\u0101kslas veida n\u0101kotni.<\/p>\n<p>Ar filmas \u201cPar\u012bze, Teksasa\u201d seansu 19. oktobr\u012b, plkst. 18.00 k\/t \u201cSplendid Palace\u201d Lielaj\u0101 z\u0101l\u0113 tiks atkl\u0101ta v\u0101cvalod\u012bgajam kino velt\u012bt\u0101 sada\u013ca ZEITGEIST DEUTSCHLAND, kas tiek veidota sadarb\u012bb\u0101 ar G\u0113tes instit\u016btu R\u012bg\u0101. Savuk\u0101rt Vendersa \u012bsfilmu seanss iesild\u012bs sada\u013cu jau 18. oktobr\u012b plkst. 21.10 k\/t \u201cSplendid Palace\u201d Mazaj\u0101 z\u0101l\u0113. Bi\u013cetes uz \u0161iem un citiem festiv\u0101la programmas seansiem pieejamas m\u0101jaslap\u0101\u00a0<a href=\"http:\/\/rigaiff.lv\/\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/rigaiff.lv&amp;source=gmail&amp;ust=1727181908848000&amp;usg=AOvVaw3hraXOLn9MBJKJO0s3JlUp\">rigaiff.lv<\/a>\u00a0un \u201cBi\u013ce\u0161u serviss\u201d tirdzniec\u012bbas viet\u0101s.<\/p>\n<p>No 17. l\u012bdz 27. oktobrim vair\u0101k nek\u0101 100 seansos kino cien\u012bt\u0101ju ma\u0146\u0101m tiks pied\u0101v\u0101ti drosm\u012bgi un svaigi autoru skat\u012bjumi, kas rasti pasaules presti\u017e\u0101ko kinofestiv\u0101lu programm\u0101s un Latvijai radniec\u012bgaj\u0101 Baltijas j\u016bras re\u0123iona kinom\u0101ksl\u0101. Festiv\u0101la vadmot\u012bvs &#8220;Witnessing the World of Another&#8221; \u00a0jeb \u201cPieredz\u0113t citu pasauli\u201d \u0161aj\u0101 sezon\u0101 piev\u0113r\u0161as kino m\u0101kslai k\u0101 izpratnes un l\u012bdzp\u0101rdz\u012bvojuma veicin\u0101\u0161anas form\u0101tam \u2013 RIGA IFF komanda aicina skat\u012bt\u0101ju atkl\u0101t jaunus skatpunktus un kino ekr\u0101n\u0101 iedibin\u0101t\u0101s pasaules. Jaunumiem sekot iesp\u0113jams vietn\u0113\u00a0<a href=\"http:\/\/rigaiff.lv\/\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/rigaiff.lv&amp;source=gmail&amp;ust=1727181908848000&amp;usg=AOvVaw3hraXOLn9MBJKJO0s3JlUp\">rigaiff.lv<\/a>\u00a0un festiv\u0101la soci\u0101lo mediju kontos, k\u0101 ar\u012b pierakstoties RIGA IFF v\u0113stkopas sa\u0146em\u0161anai.<\/p>\n<p>RIGA IFF galvenais partneris \u2013 mediju un tehnolo\u0123iju uz\u0146\u0113mums \u201cTet\u201d. Festiv\u0101ls top ar Valsts kult\u016brkapit\u0101la fonda, ES programmas \u201cRado\u0161\u0101 Eiropa \u2013 MEDIA\u201d, R\u012bgas domes un Nacion\u0101l\u0101 kino centra atbalstu.<\/p>\n<p>Filmas &#8220;Par\u012bze, Teksasa&#8221; materi\u0101lus izmanto\u0161anai publiskaj\u0101 komunik\u0101cij\u0101 (ar atsauci uz <a href=\"https:\/\/rigaiff.lv\/wp-content\/uploads\/2024\/09\/OFFICIAL-COPYRIGHT-MANDATORY.pdf\">Vima Vendersa fonda autorties\u012bbu inform\u0101ciju<\/a>) nodro\u0161ina Vima Vendersa fonds.<\/p>\n","headline_en":"In a unique screening, the RIGA IFF will showcase a restored version of Wim Wenders\u2019 road movie Paris, Texas","subtitle_en":"","content_en":"<p><b>The first weekend of the Riga International Film Festival (RIGA IFF, 17\u201327 October) will feature a unique screening \u2013 festival visitors will be among the first in the World to experience the recently digitally restored\u00a0<\/b><a href=\"https:\/\/rigaiff.lv\/en\/films-2024\/parize-teksasa\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/rigaiff.lv\/en\/films-2024\/parize-teksasa&amp;source=gmail&amp;ust=1727181915568000&amp;usg=AOvVaw01atPY8omN-DRKbJPHNFqO\"><i><b>Paris, Texas<\/b><\/i><\/a><b>\u00a0(1984) by director Wim Wenders on the big screen. On 19 October, this gold standard of the road movie subgenre will inaugurate the section\u00a0<\/b><a href=\"https:\/\/rigaiff.lv\/en\/programme-2024\/zeitgeist-deutschland\/\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/rigaiff.lv\/en\/programme-2024\/zeitgeist-deutschland\/&amp;source=gmail&amp;ust=1727181915568000&amp;usg=AOvVaw3bJYWsBqhBVZOcYeDpTZxu\"><b>ZEITGEIST DEUTSCHLAND<\/b><\/a><b>, created in cooperation with the Goethe Institute in Riga. Tickets for the screening can be purchased on the festival&#8217;s website (<\/b><a href=\"http:\/\/rigaiff.lv\/en\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/rigaiff.lv\/en&amp;source=gmail&amp;ust=1727181915568000&amp;usg=AOvVaw2INY3GiMVFyr2RI_geyHA-\"><b>rigaiff.lv<\/b><\/a><b>) and at Bi\u013ce\u0161u Serviss sales points.<\/b><\/p>\n<blockquote>\n<p><i>\u201cIt\u2019s a different film today, even though nothing has changed. I see it differently now. I\u2019m happy with the film I see. But it\u2019s definitely different to the one I saw in 1984. We\u2019re closer than ever before to the film originally caught by the camera.\u201d<\/i><\/p>\n<\/blockquote>\n<p>That is how in an interview with the Wim Wenders Foundation the director describes the film\u00a0<i>Paris, Texas<\/i>, which premiered in the main competition at the Cannes Film Festival in 1984. Having received several prestigious awards, including the Palme d&#8217;Or and the British Academy of Film and Television Arts (BAFTA) Award, Paris, Texas is considered Wenders\u2019s best-known, most recognized, and most cited film. This spring, 40 years after its premiere, the quintessential road movie that has achieved cult status among moviegoers returned to Cannes in a new 4K digitally restored form.<\/p>\n<p><div class=\"responsive-container\"><iframe loading=\"lazy\" title=\"PARIS, TEXAS Trailer (4K Restoration) | RIGA IFF 2024\" width=\"1799\" height=\"1012\" src=\"https:\/\/www.youtube.com\/embed\/0bcXNF8OCf8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/p>\n<p>In his early career, Wenders, one of the most prominent representatives of the new German cinema movement, became fascinated by American mythology and filmmaking traditions, achieving artistic and emotional maturity with this odyssey of human self-understanding. As the mood alternates between the visually stunning shots by cinematographer Robby M\u00fcller and the hypnotic sounds of Ry Cooder\u2019s slide guitar, playwright Sam Shepard\u2019s script unveils the real meaning of change, words, and silence. Playing the lead roles of Travis and Jane are Harry Dean Stanton, a favourite of Lynch, and the captivating Nastassja Kinski, whose image in her pink angora sweater has become a memorable movie quote in its own right.<\/p>\n<p>Alongside\u00a0<i>Paris, Texas<\/i>, the ZEITGEIST DEUTSCHLAND program also includes a special\u00a0<a href=\"https:\/\/rigaiff.lv\/en\/screenings-2024\/vima-vendersa-isfilmu-izlase\/\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/rigaiff.lv\/en\/screenings-2024\/vima-vendersa-isfilmu-izlase\/&amp;source=gmail&amp;ust=1727180479081000&amp;usg=AOvVaw0_2TuA6-WznsDeihbzwj0s\">screening of Wenders\u2019s short films<\/a>. This screening will feature four selected miniatures made from 1967 to 1982, a period when Wenders\u2019s work was considered too extraordinary for the big screen and too ambitious for the altars of contemporary art. The films reveal the author\u2019s faith in experimentation and paint a portrait of an untamed artist in his youth. The alterations of images and their relationship with colour and time are interspersed with reflections on the pain of filmmaking and the future of this art form.<\/p>\n<p>The screening of Paris, Texas on 19 October at 18:00 in the Large Hall of the Splendid Palace will open the ZEITGEIST DEUTSCHLAND \u2013 a section dedicated to German cinema, organized in cooperation with the Goethe Institute in Riga. Meanwhile, the selection of Wenders\u2019s short films will be screened on October 18 at 21:00 in the Small Hall of the Splendid Palace. Tickets are available on the festival website\u00a0<a href=\"http:\/\/rigaiff.lv\/en\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/rigaiff.lv\/en&amp;source=gmail&amp;ust=1727180479081000&amp;usg=AOvVaw1hrpto-0Txlm7qSvmNf7xM\">rigaiff.lv<\/a>\u00a0and at Bi\u013ce\u0161u Serviss sales points.<\/p>\n<p>From 17 to 27 October, RIGA IFF will delight the senses of filmgoers with more than 100 screenings of bold and fresh filmmaker visions, selected from the world\u2019s most prestigious film festival programmes, as well as from the kindred Baltic Sea region cinema. This season, the festival\u2019s central theme, Witnessing the World of Another, focuses on cinema as a vehicle for appreciation and empathy \u2013 RIGA IFF team invites the viewers to explore new horizons and filmic universes. Follow festival updates on\u00a0<a href=\"http:\/\/rigaiff.lv\/en\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/rigaiff.lv\/en&amp;source=gmail&amp;ust=1727180479081000&amp;usg=AOvVaw1hrpto-0Txlm7qSvmNf7xM\">rigaiff.lv<\/a>\u00a0and festival social media accounts, as well as by subscribing to RIGA IFF newsletter.<\/p>\n<p>RIGA IFF&#8217;s main partner is the media and technology company Tet. The festival is made possible with the support of the State Culture Capital Foundation, EU programme \u201cCreative Europe \u2013 MEDIA\u201d, Riga City Council, and the National Film Centre of Latvia.<\/p>\n<p>The use of material from the film <em>Paris, Texas<\/em> in public communications is permitted by the Wim Wenders Foundation, provided that proper <a href=\"https:\/\/rigaiff.lv\/wp-content\/uploads\/2024\/09\/OFFICIAL-COPYRIGHT-MANDATORY.pdf\">copyright guidelines<\/a> is included with each photo, in accordance with their copyright guidelines.<\/p>\n","headline_ru":"","subtitle_ru":"","content_ru":"","link":"https:\/\/rigaiff.lv\/lv\/release\/riga-iff-unikala-seansa-izradis-restaureto-vima-vendersa-cela-filmu-parize-teksasa\/","lang":"lv","categories_slugs":""}