<\/p>\n
Radot aptuveni 30 \u012bsmetr\u0101\u017eas darbu, \u0160vankmajers tajos visbie\u017e\u0101k run\u0101jis dz\u0113l\u012bgu metaforu m\u0113l\u0113. Ma\u0123istr\u0101l\u0101s t\u0113mas biju\u0161as cenz\u016bra un pa\u0161cenz\u016bra \u2013 t\u0101s caurvij vi\u0146a agr\u012bnos darbus Pr\u0101g\u0101 20. gadsimta 60. gadu s\u0101kum\u0101. Pat re\u017eisora pirm\u0101s \u012bsfilmas nosaukum\u0101 tika ietverts v\u0101rds \u201ctriks\u201d.\u00a0<\/p>\n
Nesp\u0113jot pie\u0146emt komunisma normaliz\u0101cijas politiku, 1968. gad\u0101 re\u017eisors ar \u0123imeni emigr\u0113ja uz Austriju. Tom\u0113r gadu v\u0113l\u0101k vi\u0146\u0161 atgriez\u0101s, turpinot str\u0101d\u0101t ar kod\u0113tiem zi\u0146ojumiem kino valod\u0101, kas kulmin\u0113ja \u010dehu sirre\u0101lism\u0101. 70. un 80. gados \u0160vankmajers jau bija ieso\u013cojis cilv\u0113ka psih\u0113 k\u0101 visstaign\u0101kaj\u0101, neparedzam\u0101kaj\u0101 un pretrun\u012bg\u0101kaj\u0101 telp\u0101. \u201cCenz\u016brai ir priek\u0161roc\u012bba, jo t\u0101 liek izteikties \u0101rk\u0101rt\u012bgi rado\u0161i un dom\u0101t simbolos… tie ir vien\u012bgie iero\u010di, kas ir j\u016bsu r\u012bc\u012bb\u0101 pret cenz\u016bru,\u201d vi\u0146\u0161 secina.\u00a0<\/p>\n
Kop\u0161 1993. gad\u0101, kad \u010cehoslov\u0101kija atguva neatkar\u012bbu un tika sadal\u012bta div\u0101s valst\u012bs, autors tikpat k\u0101 vairs neveidoja \u012bsfilmas. Vi\u0146am pa\u0161am tas bija \u201c\u0161ifr\u0113t\u0101s formas\u201d norieta laiks. RIGA IFF retrospekcijas seans\u0101 apkopotas devi\u0146as \u0160vankmajera \u012bsfilmas. Taj\u0101s dz\u012bro \u0113zopiskais un valodas sp\u0113les. Devi\u0146i virtuozi, ne\u0161petni un p\u0101rlaic\u012bgi kino triki.<\/p>\n
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