Reflecting shifts and contemporary trends in cinema, the competition showcases no more than 10 feature-length films made on different sides of the same sea.
Representing radically different schools, traditions, and artistic visions of cinema from the Baltic Sea region, the Nordic countries, and Ukraine, all works are characterized by innovative cinematic language and a distinctive authorial voice. There are no genre or form restrictions – documentary, fiction, animation, or hybrid works will be considered.
An internationally renowned jury will present the winner with the main Bronze Rooster award along with a monetary prize of EUR 5,000.
Entries
The competition programme is comprised of up to 10 feature films for which the majority of production financing has been provided by countries of the Baltic Sea region (Denmark, Estonia, Finland, Germany, Latvia, Lithuania, Poland, and Sweden), the Nordic countries (Denmark, Finland, Iceland, Norway, and Sweden, including the autonomous territories of Greenland, the Faroe Islands, and the Åland Islands) or Ukraine.
There are no genre or form restrictions – documentary, fiction, animation, or hybrid works will be considered.
Minimum running time: 60 minutes.
All submitted films must have been completed after 1 July 2025 and must not have been screened in Latvia prior to RIGA IFF 2026. An exception applies to films produced or co-produced in Latvia: a national premiere at the festival is preferred but not mandatory.
Films produced or co-produced in the Russian Federation and Belarus will not be accepted.
Prize
The selected films will be judged by an international jury consisting of industry experts, filmmakers, and representatives of international film festivals. It will present the winner with the main award – the Bronze Rooster – along with a monetary prize of EUR 5,000.
The RIGA IFF award ceremony will take place on 24 October, the second Saturday of the festival.
Deadline
Submissions for the open call are accepted from 24 March to 30 June 2026.
No submission fee applies until 31 March 2026. From 1 April to 17 May, the submission fee is EUR 10 per entry; from 18 May, EUR 15.
The results will be announced by 10 September 2026.
Falk is a German film producer creating prestigious TV series, mini-series and feature films. Head of production at Studio Zentral, where he is responsible for series and mini-series shoot logistics, budget planning and delivery. Falk successfully moved into producing and production management, becoming a prominent figure in German film and television. In 2024, he received the Bernd Burgemeister TV Production Award at the Munich Film Festival as one of the creators of the critically acclaimed series Love Sucks (2024). Falk is the line producer of Sound of Falling (2025), the debut feature by Masha Schilinski – the film was Germany's submission for the Academy Award for Best International Feature Film and won the Jury Prize at Cannes.
Matīss Kaža
Kaža is one of the most visible, prolific and internationally acclaimed directors, screenwriters and producers of the new generation of Latvian film and theatre. Founder of the Trickster Pictures studio, he has made more than 20 films of various lengths, including producing several films screened and awarded at Cannes, Locarno and elsewhere. He is the youngest-ever Academy Award winner in the Best Animated Feature category – in 2025, aged 29, he received the award for producing Flow (2024) by Gints Zilbalodis; Kaža also co-wrote the screenplay. He holds a degree in Film&TV from Tisch School of the Arts at New York University, and has also studied at the American Film Institute Conservatory in Los Angeles and the Latvian Academy of Culture. He made his theatre directing debut in 2023 with Soft Power at the Latvian National Theatre, earning acclaim from critics and audiences alike, and the following year received the Spēlmaņu nakts award at the Latvian theatre awards for Best New Stage Artist of the Year.
Milani Perera
Perera is a Sri Lankan-born curator, critic, journalist and film programmer based in Tallinn, Estonia. She is a programmer at the Tallinn Black Nights Film Festival, where she selects international submissions and coordinates the competition, and South Asia regional film curator, seeking out emerging voices and fostering collaboration between European and Asian film markets. Perera is the founder and editor-in-chief of KinoPear, an online film journal, where she reflects on film trends and current releases, and publishes interviews with filmmakers from major festivals on a regular basis. Her writing has appeared in the International Cinephile Society, Baltic Film, and Asian Movie Pulse. She studied philosophy at the University of Kelaniya and film at Tallinn University.
Emile Hertling Péronard
Hertling Péronard is a highly regarded Danish and Greenlandic film producer, and co-founder and partner of the Ánorâk Film studio. Known as one of the leading creators and champions of Arctic and indigenous cinema storytelling – films produced by Hertling Péronard address shifting cultural landscapes, indigenous folks and their fates. Working out of Nuuk and Copenhagen, he is executive director of the Nuuk International Film Festival and Chair of the Arctic Indigenous Film Fund. The short film Ivalu (2023), produced by Hertling Péronard, was nominated for the Academy Award for Best Live Action Short Film. He is best known to RIGA IFF audiences as the producer of Twice Colonized (2023), a film by Lin Alluna – the film received the Canadian Screen Award for Best Feature Documentary. His films have been screened at the most prestigious film festivals, including Cannes, Venice, Berlin and Sundance.
Olivia Popp
Popp is a US-Taiwanese film critic and programmer based between Berlin and Brussels. She is an alumna of Berlinale Talents and Locarno Critics Academy. Popp is on the selection committee for Berlin Critics’ Week and a programmer for One World Slovakia International Documentary Film Festival. Alongside this, she is co-founder and editor-in-chief of the queer film publication Purple Hour, and regularly writes for film publications such as Cineuropa, MUBI Notebook, Little White Lies, Senses of Cinema, Zippy Frames, Screen Slate and many others. Popp is a highly prominent critic, also serving as the publishing coordinator for Cineuropa’s GoCritic! workshop for emerging writers and supporting the editorial team at International Film Festival Rotterdam.
Lai šī tīmekļvietne darbotos, tā izmanto obligāti nepieciešamās sīkdatnes. Ar Jūsu piekrišanu papildus šajā vietnē var tikt izmantotas statistikas un sociālo mediju sīkdatnes. Ja piekrītat šo papildu sīkdatņu izmantošanai, lūdzu, atzīmējiet savu izvēli.