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The SHORT RIGA International Competition looks for new auteur films of various genres and techniques from all over the world. This is one of 24 international short film competitions that presents a selected film with a candidacy in the short film category of the European Film Awards.
The curator and selection committee evaluate submissions, individually look for works in the programmes of other film festivals as well as film and art schools, and reach out to independent makers of short films. There are as many films as there are opinions, and as many authors as there are stories.
The only things the selected films have in common is a maximum running time of 30 minutes and the presence of a strong personality. Audience members are guaranteed to quarrel, laugh, or even shed a tear or two – often in the presence of the filmmakers themselves!

Whether they are animated, fiction, documentary, or experimental, SHORT RIGA is looking for short films with a distinct voice. The festival’s curators will select around 30 of the most interesting submissions from around the world to screen at the festival.

Entries

We welcome short films with a running time of up to 30 minutes and with a completion date of no earlier than 1 January 2020. We especially encourage Baltic filmmakers and artists to apply – both professionals and students – as we want to encourage filmmakers from the region, and promote their work internationally.

Prize

The short films that are selected are evaluated by an international jury consisting of industry experts, filmmakers, and representatives from the international film festival community.

The award – “Silver Grass Snake” (a silver pin featuring the Latvian symbol for the grass snake) – is presented to the film that generates the liveliest discussions and greatest passion about the very essence of cinema. The winner is also awarded a monetary prize of EUR 1,000. The Awards Ceremony takes place on the second Saturday of the festival.

Candidacy for the European Short Film 2021 award

The jury will select a single candidate for the European Short Film 2021 award from the films in the SHORT RIGA International, and National Competitions. Directors born in Europe, or with a European passport are eligible (the European Film Academy defines Europe as including both EU and non-EU countries, as well as citizens of Israel and Palestine). The film must have been produced in 2020 or 2021, and cannot exceed a total running time of 30 min.

Deadline

The call for submissions opens on 17 March 2021 and closes on 31 May 2020. The submission fee per entry is EUR 10 and all submissions are free of charge for one month, until 16 April, 23:59. The results will be announced by 10 September 2021.

Screenings

Supported by

Balta – Competition’s monetary prize sponsor

Films in competition

Buck Fever
Griet Goelen, Louise Van Assche
SHORT RIGA International Competition

22 Oct, 21:00


20 Oct, 21:00


21 Oct, 19:30


22 Oct, 19:30


21 Oct, 21:00

See Me
Patty Stenger, Yvonne Kroese See Me
SHORT RIGA International Competition

20 Oct, 19:30

Jury

Gunhild Enger

Gunhild Enger (1980) belongs to a new generation of Norwegian directors. She has received captive attention from film festivals and was the focus of a retrospective at SHORT RIGA last year. Enger's short films elevate the comedy in everyday events, they possess a sophisticated sense of rhythm and feature people's absurd inability to communicate. She studied visual arts at Edinburgh College of Art and film at Lillehammer University College and the School of Film Directing at the University of Gothenburg. Her 2005 graduation film Bargain was nominated for a BAFTA, and her subsequent short films have been screened worldwide and nominated for the Norwegian Amanda Award. Enger is currently in production on her first feature film.

Alise Ģelze

Alise Ģelze (1980) has been working in film since 2006, with a particular focus on social coming-of-age dramas. She is one of the most significant Latvian producers of the last decade and the Founder and Director of the studio White Picture. Her short and feature films have screened at the Cannes Film Festival, in Berlin, Rotterdam, Karlovy Vary, Busan and many other international film festivals. Her most successful films include Juris Kursietis' Oleg (2019), which premiered at Director's Fortnight at Cannes, Jānis Nords' Mother, I Love You (2013) and Renārs Vimba's Mellow Mud (2016), which won awards at Berlinale. Ģelze has received recognition from the Latvian Ministry of Culture for her contribution to film production.

Mathieu Janssen

Mathieu Janssen (1984) is a Dutch festival curator from Nijmegen. After studying sociology, he became interested in journalism, writing, and organising public debates on the responsibility of art institutions. He is one of the founders of the Deep End Film collective. Since 2018 he is curator and member of the selection committee of Go Short – International Short Film Festival Nijmegen. Janssen curates special programmes, explores the features of national cinemas and is one of the initiators of the international This is Short collaboration platform.

Hilla Okkonen

Hilla Okkonen is a short film producer and curator at the Helsinki International Film Festival – Love & Anarchy. After graduating from the University of Bologna, she worked in communications and cultural event production in both Finland and Italy. From 2016 to 2020, Okkonen served as the Cultural Attaché at the Finnish Embassy in Rome and co-organised a festival focusing on Nordic cinema. In her free time, she enjoys playing the piano, cooking Roman cuisine and running marathons.

Léo Soesanto

Léo Soesanto is a prolific film journalist and experienced film curator based in Paris. He studied at the Paris Institute of Political Studies and has published in Libération, Les Inrockuptibles, Premiere, and Vogue. Soesanto published the book L'aéroport mis en scènes this year about the role of airports in cinema. He has been a film curator at the Bordeaux International Independent Film Festival and the Rotterdam International Film Festival and now works in the film programming department at the Cannes Film Festival's parallel section Critics' Week. He has curated retrospectives of auteurs such as Olivier Assayas and Denis Côté.